AES NYC 2022 Audio Engineering Society - Day 02
Spatial Resolution in Immersive Productions - https://lnkd.in/egbe72xv
Lasse Nipkow
CEO, Silent Work GmbH
The Art Of Immersive Audio Productions - artistic opportunities - https://lnkd.in/eXpv7Ber
Herbert Waltl
CEO & senior producer, Media Hyperium Studios
Binaural rendering of audio signals using waveform-based acoustic panning
- https://lnkd.in/enwFVYSi
Nishiguchi Masayuki
Professor, Akita Prefectural University
Real-time spatialization via Eigen decomposition of head-related transfer functions - https://lnkd.in/eK4tj8wQ
Juan Camilo Arévalo Arboleda
Student, The University of Aizu
Combining Deep Learning and Web Audio for Automated Real-time Audio Speech Production -https://lnkd.in/enwtmf4v
Tor S.
Audio Engineer, Sveriges Radio
Reverse Engineering Memoryless Distortion Effects with Differentiable Waveshapers https://lnkd.in/e3sFtbQd
Joseph Colonel
Centre for Digital Music , Queen Mary University of London
Moving Picture, Audio, and Data Coding by Artificial Intelligence (MPAI) – New Audio Standards Exploiting Artificial Intelligence
- https://lnkd.in/e-jFysrH
Marina Bosi
Marina Bosi is a founding Director of the Moving Picture, Audio, and Data Coding by Artificial Intelligence (MPAI) and the Chair of the Context-based Audio Enhancement (MPAI-CAE) Development Group.
Leonardo Chiariglione
Mark Seligman
Speechmorphing, Inc.
audio proaudio audioengineering signalprocessing machinelearning ai deeplearning artificialintelligence audio audioengineering sound aesorg aesshow aesNYC signalprocessing psychoacoustics PyTorch TensorFlow python pytorch tensorflow research innovation dsp musictechnology musictech audioengineer computerscience AESShow AESorg audioengineer proaudio immersiveaudio 3daudio spatialaudio binaural extendedreality augmentedreality virtualreality ar xr vr musictechnology hrtf