Inside Vinicius de Moraes' House in Itapuã, Salvador, Bahia, Brazil - Brazilian Music History

 

#salvador #viniciusdemoraes #brazilianmusic "The House Casa Di Vina is the house where one of the great icons of Brazilian culture, Vinicius de Moraes, lived in Bahia. Delighted by the land diversity and inebriated with love for the actress Gessy Gesse, Vinicius moved to Itapuã in the early 70’s, living there a very inspired phase of his life. Preserved in its original architecture, the house today houses the Casa di Vina Memorial, open to the public, free, where objects, photos and documents of the couple’s history and of the poet’s little known passage by Bahia are exposed. During the visit one can also appreciate old sculptures and tiles by the artist Udo Knoff and the panel painted by Bel Borba in honor of Vinicius' friendship with the painter Calasans Neto. ... BUMBUM POOL Right at the entrance to the poet's house, visitors can admire a beautiful butt-shaped pool with colorful tiles painted by German ceramicist Udo Knoff. On the edge, visitors can touch and appreciate the exotic blue Macaúbas quartzite, a stone found only in the Bahian city of Macaúbas. This pool was renovated in 2024 with the support of Minas Gerais restorer Eliana Mello, the greatest Udo expert in Brazil. VINICIUS One of the great names of the Bossa Nova, Vinicius de Moraes composed the lyric of the song which was for some years the second most performed in the world, Garota de Ipanema. Vinicius was born in Rio in 1913, but certainly left this world in 1980 as a “Bahian”, leaving Brazilian culture an invaluable heritage. He lived a life of complete and impassioned abandonment as an incorrigible bohemian. He got married nine times and when asked by his friend Tom Jobim how many times he would get married, he said “as many as necessary”. About himself, he used to say felt like “in a labyrinth in search of a way out”. Searching this way he found in the magic of Itapuã a safe haven in the arms of Gesse, his divine home. FRIENDS In the 70s, the presence of Vinicius moviment even more the effervescent cultural scene of Salvador. The life and work of the poet were also enriched by the coexistence of friends like Jorge Amado, Dorival Caymmi, Batatinha, Calasans Neto, Auta Rosa, Carlos Bastos, Camafeu de Oxóssi, Nilda Spencer, Rubinho dos Carnavais, Olga de Alaketu, Walter Queiróz, among many other Bahians. AFTERNOON IN ITAPUÃ Toquinho says he found the poem ‘Tarde em Itapuã' still in Vina's typewriter. He asked to make music, but the poet refused because he wanted to give it to Caymmi. The night before his departure to São Paulo, he stole the lyrics from Vinicus returning to Bahia three days later with the music. He captivated the poet and together they sang throughout the world, the famous and magical beach of Itapuá. So many other famous songs, such as “Onde Anda Você” and “Tonga da Mironga do Kabuletê”, were composed that time." - https://lnkd.in/dC9kVpYd

Vinicius de Moraes Monument in Itapuã, Salvador, Bahia, Brazil - Brazilian Music History

#viniciusdemoraes #salvador #brazilianmusic "The poet Vinicius de Morais (1913-1980) came to live in Itapuã in the early 1970s with his beloved actress Gessy Gesse from Bahia. He lived here for about six years, initially in a rented house, and then in his own home in Itapuã. The couple was accompanied by the Bahian cook Maria Dolores Scher. The Monument in Praça Vinicius de Morais was created by the Bahian artist Juarez Paraíso and had the collaboration of Márcia Magno, Renato Viana and Paula Magno. The square was inaugurated in a solemn event on October 19, 2003, the year he would have turned 90. It is located near the Itapuã Lighthouse. The bronze sculpture of Vinicius is life-size. An empty chair next to it invites visitors to take pictures with the poet. There are also ten 0.90 x 1.60 totems in the square, where the poet's compositions are engraved. Near the square is the house that Vinicius built and lived in, designed by Bahian architects and his friends Jamison Pedra and Sílvio Robatto (1936 - 2008), a professor at the School of Fine Arts at UFBA. In 1974, the year it was built, he wrote the poem A Casa, dedicated to "Gesse, my wife and my friend, and to the workers who built the house, where before there was only ground", "A Bahian house, made by Bahians to shelter Your maximum, dreamed-of Bahianness". The house currently operates as a hotel Vinicius composed, with his partner Toquinho, some memorable songs about Bahia. In 1972, Vinicius, Toquinho and Clara Nunes performed the show O Poeta, a Moça e o Violão, at the Castro Alves Theater.." - http://www.bahia-turismo.com/salvador/itapua/vinicius.htm

Casa Villarino, Bossa Nova History, Rio de Janeiro, Brazil - Brazilian Music

"A mix of restaurant, bar and warehouse, Casa Villarino was the stage where Bossa Nova began. That’s where Vinicius de Moraes and Tom Jobim met. Casa Villarino was founded in 1953 by the Spanish. Strategically located in the center of the city where, at the time, the main radio stations, newspaper headquartes and record companies of the whole state were also located, Casa Villarino became a reference of carioca bohemia with a mix of restaurant, bar and grocery warehouse. The place was frequented by intelectuals, musicians, poets, and journalists who gathered after their work day to drink some nice whisky and chat to their delight. With so many musicians attending the place, the restaurant became one of the birthplaces of Bossa Nova." - ttps://riotur.rio/en/onde_comer/casa-villarino-2/ "With a welcoming atmosphere, Casa still preserves its nostalgic aura in every corner. Founded in 1953, Villarino initially functioned as a whiskey shop and only opened at 6 pm. At that time, the major radio stations and recording companies were located in the vicinity , which contributed to it becoming a meeting point for illustrious figures, such as Ary Barroso and Elizete Cardoso, among many other artists, as well as politicians, plastic artists and a whole range of characters from Rio's fine bohemia. de Moraes with Tom Jobim was sealed, generating the piece “Orfeu da Conceição”. fraternizing. The house that witnessed the birth of Bossa Nova still preserves the original flooring, furniture and signs, as well as autographed photos and records. By the way, photographing regular customers, distinguished or not, has become a habit, and this collection now has more than one hundred pictures." - ttp://guiaculturalcentrodorio.com.br/casa-villarino-bar/ "Cradle of Bossa Nova, Casa Villarino is reborn in the Center The city's bohemians who, in this pandemic, were orphaned from traditional strongholds can now toast the return of Casa Villarino, in the Center. Preferably, at the whiskey shop's happy hour, which today reopens for customers, always in the late afternoon, nine months after the announcement of the suspension of its operation "indefinitely". A trunk of memories of Rio, Villarino, inaugurated in 1953, was the stage for the musical meeting between Tom Jobim and Vinicius de Moraes: there, they definitively sealed the historic partnership, giving rise to the musical “Orfeu da Conceição” and all of Bossa Nova. . The now official name of the address, on the corner of Avenida Calogeras and Presidente Wilson, is Clube Senac Villarino Bar. But the spirit of the place has been preserved. The decor is the same, and the panel with the photograph in which Vinicius de Moraes is the big star is still on one of the walls. Arnaldo, the cook, will continue piloting the menu with classic dishes - such as the Contrafilé à Oswaldo Aranha, the Picadinho à Avenida, the Mignon à Milanesa and the Arroz de Lula. And everything indicates that Ramos, considered one of the best waiters in the Center, will return to the scene. The difference is that the bar and restaurant will also have a pedagogical proposal, hosting lives with harmonization and gastronomy courses. Faced with the pandemic scenario, the house will be open to the public from Monday to Friday, from 5 pm to 8 pm, with a capacity limited to 20 people and in accordance with health protocols. It will be possible, within happy hour hours, to order delicacies from the menu for delivery. ... writer and journalist Ruy Castro, who tells stories about the past at Villarino in the book “Chega de Saudade” and proudly shows a photo of him and his wife, the writer Heloisa Seixas, "sitting" with Vinicius de Moraes (an illusion created by the panel that is a tourist attraction), celebrates: — Great news, the reopening of Villarino! In fact, I never believed it would close for good. It's too welcoming a space to be abandoned. And if anyone says that this new Villarino isn't "the real Villarino", I'd like to know what it is. The Villarino I knew in the 1970s was no longer the one that Fernando Lobo, Dolores Duran and Haroldo Barbosa frequented, much less the one in which Tom and Vinicius partnered up in the 1950s. going to Algonquin, in New York, since it wasn't the same one that Dorothy Parker frequented? — compares Ruy, citing the American writer who commanded the legendary Round Table confraternity from the bar of the historic Times Square hotel, bringing together New York's intelligentsia in the roaring 20s. — Villarino's new mission is to help attract people to the Center of Rio. This one, yes, has to be reborn to continue to be eternal." - ttps://extra.globo.com/noticias/rio/berco-da-bossa-nova-casa-villarino-renasce-no-centro-25150196 .html #bossanova #riodejaneiro #brazil

Live Bossa Nova at Redentor - Belo Horizonte, Minas Gerais, Brazil - Brazilian Music and Food

#bossanova #livemusic #brazil 00:00:00 In this Video 00:00:26 Redentor Bar Belo Horizonte, Minas Gerais, Brazil 00:01:02 Cashew and Lemon Caipirinha - € 5.12 (April, 2024) 00:01:16 Chopp Brahma 220 ml - € 1.58 00:01:25 Empadinha a Bracarense de Frango e Catupiry - € 2.40 00:01:35 Wave - Tom Jobim . Bossa Nova Trio 00:02:33 Parmegiana - € 12.15 00:02:40 Maminha da Carol - € 10.87 00:02:50 A Felicidade - Tom Jobim . Bossa Nova Trio

Live Bossa Nova at Bottle's Bar - History of Bossa Nova, Copacabana, Rio de Janeiro, Brazil

#bossanova #brazilianmusic #riodejaneiro 00:00:00 Entrance Bottle's Bar - Copacabana 00:00:53 Bar Tour - Historical Photos, Stage 00:02:10 The Bar - Drinks 00:03:24 Soundcheck - Gustavo Martins Trio - Bossa Mais 00:03:46 Concert - Gustavo Martins Trio 00:03:50 Chega de Saudade - Antonio Carlos (Tom) Jobim and lyricist Vinicius de Moraes 00:06:38 Desafinado - Antonio Carlos (Tom) Jobim and lyricist Newton Mendonça 00:09:53 Emoriô - João Donato and Gilberto Gil 00:14:59 Se Todos Fossem Iguais A Você - Antonio Carlos (Tom) Jobim and Vinicius de Moraes 00:17:08 Presenting the Musicians 00:17:49 What can I say to you Bonita : Composer: Antonio Carlos Jobim ; Lyricist: Ray Gilbert | Gene Lees 00:23:34 Carta ao Tom 74 - Vinicius de Moraes 00:27:50 Ending "Gustavo Martins (guitar and vocals), Marcello Guimarães (piano), Zé Luiz Maia (bass), Cristiano Galvão (drums) and they perform songs by icons such as Tom Jobim, Vinicius de Moraes, Carlos Lyra, Marcos Valle, João Donato and Roberto Menescal, with a format that is both relaxed and well-cared for, which has been fully pleasing the public that never stops loving Bossa Nova and MPB. Beco das Garrafas | Bottles Artistic cover: R$ 60.00 Reservations and information: 2543-2962 (after 6pm) and 97077-9585 (WhatsApp) @gustavomartins_16 @zeluizmaiabass @marcelloguimaraes.pianista " - https://becodasgarrafas.com.br/event/gustavo-martins-trio-bossa-mais-07-12/ "Around the end of the 50s, musicians gathered weekly on the same dead end lane in Copacabana to have some drinks and try to play on the stage of one of the most crowded show houses in the alley. The neighbors, enraged by the noise, tossed bottles to try and contain the frolic of the Bohemians. That’s how it got its name: Beco das Garrafas (Alley of the Bottles). Elis Regina, Wilson Simonal, Jorge Ben, Edu Lobo, Baden Powell, as well as producers Luis Carlos Miele and Ronaldo Bôscoli have been there. After a major reformation, Beco das Garrafas was rediscovered after being abandoned for so many years. The alley has changed, but the essence of the place is still the same: to give opportunity for new talents to perform every day. And of course, host beautiful shows from the big stars of Brazilian music, highlighting the presentations that emphasize the rhythm that reflects the house: the Bossa Nova." - https://riotur.rio/en/onde_comer/beco-das-garrafas-2/ "Bossa Nova emerged in Rio de Janeiro in the late 1950s, in small gatherings in apartments of young musicians in the city’s South Zone. They created a new way of singing, more intimate with a melody similar to samba, but with direct influence from American Jazz. The new music genre connected with the audience in the clubs and bars of Duvivier Street, in Copacabana. And it was then that the musicians performed their first concerts, formed friendships and emerged into stardom. The venue for Little Club, Bacarat and Bottle’s bar was known as Beco das Garrafas (Bottle`s alley) and is considered the birthplace of Bossa Nova. Currently, these bars have been renovated and have varied programming with concerts of MPB, Jazz and of course, bossa nova. From the apartment rooms to the Beco das Garrafas bars, Bossa Nova spread throughout Brazil and was launched worldwide in 1962 at the historic Bossa Nova Festival at Carnegie Hall in New York. Due to the worldwide importance of the musical genre and the cultural importance of the Beco das garrafas to the city, both were considered Intangible Heritage of Rio in 2005 and 2007." - https://riodejaneirobycariocas.com/intangible-cultural-heritage-of-rio-de-janeiro/

Bar Garota de Ipanema (Girl from Ipanema) (Old Veloso Bar), History of Bossa Nova, Rio de Janeiro

#bossanova #ipanema #riodejaneiro Bar Garota de Ipanema (Old Veloso Bar), History of Bossa Nova, Rio de Janeiro, Brazil 00:00:00 Arriving at the Bar 00:00:56 Building where Tom Jobim lived, Rua Nascimento Silva 107 00:01:55 Girl from Ipanema Bar - Exterior 00:03:12 Girl from Ipanema Bar - Interior 00:04:27 Caipirinha 00:04:39 Shrimp Paulsita (Medium) 00:05:00 Inside - Girl from Ipanema Bar BONUS 00:05:47 Vinicius Restaurant 00:06:14 Ipanema Beach 00:07:30 Band on the Beach 00:07:45 Sossego - Tim Maia - Musicians on the Beach 00:08:42 Back in Black - ACDC - Musicians on the Beach 00:09:15 Statue of Tom Jobim 00:09:49 Towards Arpoador 00:10:41 Mango Caipirinha with Passion Fruit at Arpoador 00:10:55 Sunset at Arpoador " Bar Garota de Ipanema, a good reason for the presence of Vinicius and Tom, By Marcio Ilescu Inaugurated in 1949 with the name Bar Montenegro, the establishment was known by artists as Bar do Veloso, after the owner. In 1975, the bar was acquired by the current owners. Once, the owner was at the box and Tom Jobim received a call already in Garota de Ipanema. The owner called him and Tom answered and replied: I'm at Veloso. That's why this name was registered and used in the bar Veloso do Leblon, owned by the same owners. Imagine how much history has already passed on these tables, the song Garota de Ipanema and many other compositions. After three major works, in 1978, 1998 and 2013, the bar has always been up-to-date, keeping photos of the illustrious regulars." - https://diariodorio.com/bar-garota-de-ipanema-uma-boa-razao -for-the-presence-of-vinicius-and-tom/# "O Veloso, a bar two blocks from Ipanema beach, was one of the many "pesujos" frequented by the bossa nova crowd between the late 50's and the 60's in Rio de Janeiro. on the sidewalk, simple snacks and cold beer, it was a meeting point for Tom Jobim and Vinicius de Moraes - who, eternally in love with women, liked to observe the privileged movement of the place. In 1962, on a special afternoon, the two saw the young Helô Pinto (later Pinheiro), 19 years old, going in to buy cigarettes, and they fell in love. Days later, Tom composed the music and Vinicius the lyrics, inspired by the girl - and in that very carioque atmosphere of Veloso. The song Garota de Ipanema premiered on the radio in 1962 and never came out again. Tom and Vinicius remained there, as did Leila Diniz, Ronaldo Bôscoli and the gang from the combative and sarcastic newspaper O Pasquim. In 1966, Tom Jobim was drinking there when Frank Sinatra called (directly to the bar itself, where it was easier to find the Brazilian composer) to invite him to a joint recording. A year later, the Veloso bar adopted the name Garota de Ipanema, which it still bears today. And, even after many renovations and becoming an obligatory tourist spot, the bar continues to serve the two items that gave it glory in the past: a beer always on point and a privileged point to see the sweet swings on their way to the sea. Bar Garota de Ipanema - Rua Vinícius de Moraes, 49, Ipanema, Rio de Janeiro." - https://tinyurl.com/3jxawnap "Bar Veloso or currently Girl from Ipanema Bar Veloso was one of the many establishments classified as “dirty feet”. It was two blocks from Ipanema beach. But it wasn't that classy, in fact its tables were almost on the sidewalk like a good self-respecting bar. The menu was traditional for every good carioca. In other words, enjoy that cold chop or beer with those simple snacks to lighten the day feeling the sea breeze. The difference was in cardholders. None other than Vinicius de Moraes and Tom Jobim. Gentlemen from Rio de Janeiro who didn't like to miss the opportunity to observe the movement in the neighborhood and fall in love with the women passing by at first sight. In these moments of pleasure, they saw Helô Pinheiro pass by on his way to the beach at the height of his 17 years. The two were admiring her. Until he made a song to honor the girl who admired her beauty so much, consecrating her as the famous “Girl from Ipanema”. They just didn't imagine the repercussions it would have. Vinicius already said: “For her, with all due respect and mute enchantment, the samba that put her in the headlines around the world and made our beloved Ipanema a magic word for foreign listeners. She was and is for us the paradigm of the carioca sprout; the golden girl, a mixture of flower and mermaid, full of light and grace but whose vision is also sad, as she carries with her, on her way to the sea, the feeling of passing youth, of beauty that is not just ours – it is a gift of life in its beautiful, melancholy ebb and flow.” Being from Rio already involves a lot, but being from Ipanema has other weights. Bossa consecrates the neighborhood and hides its stories there. Imagine, leave the house and think about these stories present there. But the neighborhood had its representations beyond music." - https://tinyurl.com/3k26yxny

Bottle's Bar, Beco das Garrafas, Historical Bossa Nova Venue, Copacabana, YUMI PARK QUARTET -

#bossanova #riodejaneiro #brazil 00:00:00 Getting There 00:01:42 YUMI PARK QUARTET Soundcheck 00:02:55 The Bar 00:03:55 YUMI PARK QUARTET Soundcheck 00:04:42 Around The Bar - YUMI PARK QUARTET First Set - 00:05:05 Fotografia - Tom Jobim 00:07:27 Wave - Tom Jobim 00:08:11 Batida Diferente - Leny Andrade 00:08:53 Caminhos Cruzados - Tom Jobim 00:10:51 O Morro Não Tem Vez - Tom Jobim 00:15:08 Break - The Stage, The Bar 00:15:34 Caipirinha de Maracujá - YUMI PARK QUARTET Second Set - Tribute to Elis Regina 00:16:07 20 Anos Blue - Sueli Costa and Vitor Martins - Version Elis Regina 00:16:59 Casa no Campo - Zé Rodrix - Version Elis Regina 00:18:49 Alô, Alô Marciano - Rita Lee e Roberto Carvalho - Version Elis Regina 00:19:15 Porção de Linguiça Calabresa 00:19:55 Tiro ao Álvaro - Adoniran Barbosa - Version Elis Regina 00:20:58 O Bêbado e o Equilibrista - João Bosco e Aldir Blanc - Version Elis Regina 00:22:30 Maria, Maria - Milton Nascimento - Version Elis Regina 00:23:22 Romaria - Renato Teixeira - Version Elis Regina -- BONUS: Cervantes Bar e Restaurante 00:24:45 Getting There 00:25:20 Hotel Copacabana Palace 00:25:38 Copacabana Beach Sidewalk 00:26:45 O Quiosque do Samba 00:27:34 Av. Nossa Senhora de Copacabana 00:28:20 Bar e Restaurante Cervantes 00:28:53 Sanduíche de Pernil com Queijo Muçarela "Beco das Garrafas was, in the 50s and 60s, the meeting point for young Brazilian musicians. Among the instrumentalists, we can highlight Sergio Mendes, Luís Carlos Vinhas, Baden Powell, Durval Ferreira, Tião Neto, Milton Banana, Manuel Gusmão, Bebeto Castilho, Mauricio Einhorn, Dom Um Romão, Airto Moreira, Wilson das Neves, Chico Batera. Among the singers: Dolores Duran, Elis Regina, Johnny Alf, Sylvia Telles, Jorge Ben, Marisa Gata Mansa, Dóris Monteiro, Claudette Soares, Alaíde Costa, Pery Ribeiro, Leny Andrade and Wilson Simonal. And it was also where the pocket shows of the duo Miéle & Bôscoli were born. With so many musicians meeting and exchanging experiences on a daily basis, an instrumental genre derived from Bossa Nova began to emerge in Beco das Garrafas, which was an ongoing revolution within our instrumental music. This new style was called Samba-Jazz. And the groups Tamba Trio, Trio 3D, Sambalanço Trio, Os Gatos, Meirelles and the Copa 5, Sergio Mendes and Sexteto Bossa Rio, Bossa Três, Jongo Trio, Rio 65 Trio, Sambossa 5, Milton Banana Trio, among dozens of others were born ." - https://becodasgarrafas.com.br/principal/contato/ "YUMI PARK QUARTET 21:00 (THUR) | Bottle's Bar Self-taught singer (performer/composer) since October 2012, of South Korean origin, living in Brazil since 1994. Bossa Nova awakened in Yumi, when she listened to a playlist (lounge) at the restaurant where she worked as a waitress, in Alto Paraíso de Goiás (2009). Since then, Yumi follows the dream of having a career as a Bossa Nova interpreter in Rio de Janeiro and without even knowing that a little further ahead, she would find the works of maestro Tom Jobim that she would fall in love with. Today, Yumi Park continues to sing compositions by authors such as: Tom Jobim, Vinicius de Moraes, Roberto Menescal, Marcos Valle, João Donato, Carlos Lyra, Baden Powell, among many others... Her influences: Gal Costa, Nara Leão, Elis Regina , Leny Andrade… And because he lived with jazz musicians from Rio de Janeiro, he also began to dedicate himself to jazz standards with influences from: Betty Carter, Carmen Mcrae, Bobby Mcferrin, Ella Fitzgerald, Dee Dee Bridgewater, Tânia Maria, Cyrille Aimée, Veronika Swift, search that never ends! ... Where do you find Yumi... Mobile / Whatsapp (21) 98148-6168 Instagram: @yumiparkofficial Email: yumiparkoficial@gmail.com" "Carioca Cultural Heritage Cervantes received the title of “Carioca Cultural Heritage”, in addition to several awards. Our brand is to satisfy the palate of our customers, whether with sandwiches on the whim, delicious dishes, well-drawn chopps, tasty drinks, among others. Synonym of relaxation and bohemia Cervantes was founded on July 30, 1955 by Hamuss Zalman. In the beginning it was a simple grocery store that also supplied sandwiches on a whim. In 1965, Cervantes was acquired by two Spanish partners, who turned it into a restaurant and maintained the sandwiches that became famous for their quality and abundance. Another difference is that the restaurant has expanded its opening hours. More than 60 years have been filled with the flavors of our customers' stories: dinners between couples, friends' get-togethers, late-night chats washed down with draft beers, drinks and sandwiches. Over these years we have dedicated ourselves to always acting with a special quality: attention to our customers, friends and suppliers. We thank each and every one of you who is part of this story. Here's to all of us!" - https://restaurantecervantes.com.br/

Little Club - An Evening of Brazilian Popular Music feat. Kazuo Yoshida, Copacabana, Rio de Janeiro

#brazilianmusic #mpb #becodasgarrafas Little Club - An Evening with Música Popular Brasileira (MPB) - Copacabana, Rio de Janeiro, Brazil - Beco das Garrafas - History of Bossa Nova - 4K 00:00:00 Little Club - Beco das Garrafas - Copacabana 00:01:58 Soundcheck - Bossa Entre Amigos 00:02:44 Djavan - Sina 00:05:41 Kazuo Yoshida on the drums 00:06:47 O Morro Não Tem Vez - Tom Jobim (feat. Kazuo Yoshida) 00:09:50 Aqui, Oh - Toninho Horta (feat. Kazuo Yoshida) 00:14:00 Alegre menina - Djavan (feat. Kazuo Yoshida) 00:17:05 Kazuo Yoshida 00:17:50 Só Deus É Quem Sabe - Guilherme Arantes (Elis Regina) 00:23:14 The Band: Gustavo Martins (guitar and vocals), Zé Luiz Maia (bass), Marcello Guimarães (keyboards) and Márcio Bahia (drums), special guest appearance by singer Andréia Pedroso. 00:24:18 Eu Acredito É Na Rapaziada - Gonzaguinha 00:28:00 Clube da Esquina II - Flávio Venturini 00:31:25 O Trem Azul - Lô Borges 00:34:15 Irene - Caetano Veloso 00:38:04 Lilás - Djavan 00:42:56 Palco - Gilberto Gil "Bossa Nova Was Born In the Alley of Bottles In Rio De Janeiro - The Music Origins Project Bossa Nova was born on the tropical beaches of Rio de Janeiro in the late 1950s. The Bossa Nova movement emerged from a small alley on Copacabana, which became popularly called Beco das Garrafas. This alley was home to multiple small nightclubs that featured the artists who played and sang Bossa Nova in the beginning and created a musical style that would become world famous. Bossa Nova is a samba-based musical genre that combines traditional Brazilian music and rhythms, with American jazz, and Portuguese lyrics. It was born from the youthful beach culture, sensual pleasure, and romance that is in the DNA of Brazillian music. The alley is an area where small nightclubs and bars were concentrated between 21 and 37, on Duvivier Street in Copacabana. This area is only a few hundred feet from the sea, and in the late 1950s and the mid-1960s it was a hub for Bossa Nova’s pioneers. There were three key nightclubs that led the movement, Little Club, Baccarat but the most famous among them was Bottle’s. The small smoke-filled bars where the scene was nurtured clubs were called “smokers”. Some say the name “Ally of Bottles” came because the music enticed revelers to empty bottles of liquor at the bars, and others say it was because the neighbors threw bottles from their homes at the people partying loudly into the early morning hours in the alley, but whatever the origin is, the name stuck when the “Alley of Bottles” became famous for its bossa nova music scene. The Bossa Nova’s muse, was a woman named Nara Leão, who often hosted musical gatherings in her flat in this neighborhood. Bossa Nova’s most noteworthy figureheads who played there were Antônio Carlos Jobim, a gifted composer, and João Gilberto, an incredible guitarist and singer, lyricist Vinícius de Moraes, jazz pianist Sérgio Mendes, composer/guitarist, Roberto Menescal. While there was a concurrent scene in São Paulo, picturesque Rio de Janeiro is Bossa Nova’s most well-known home. Quieter beach-inspired sounds were combined with jazz in ‘Bottles Bar’ which was the most famous of these small, sweaty, smoke-filled venues. Many say, Bossa Nova was ‘discovered’ in one of these clubs by an American A&R man on holiday, when he saw Tom Jobim and João Gilberto playing. Others say it was born from US jazz artist jamming with locals here. Whatever happened on this street in Rio, Americans loved Brazil’s ‘New Beat’. In 1962, there was a concert at New York’s Carnegie Hall and the Bossa Nova craze had arrived. In 1964, American Stan Getz recorded ‘The Girl from Ipanema’ with João Gilberto and his wife Astrud on vocals, along with Tom Jobim, the song’s co-composer, on piano. The album Getz/Gilberto spent 96 weeks in the US charts and ‘The Girl from Ipanema’ would become the world’s second most played song behind the Beatles’ ‘Yesterday’. It was a worldwide hit in the mid-1960s and the album it was on, Getz/Gilberto won a Grammy for Record of the Year in 1965." - https://musicorigins.org/item/bossa-nova-was-born-in-the-alley-of-bottles-in-rio-de-janeiro/ "Musicians Gustavo Martins (guitar and vocals), Zé Luiz Maia (bass), Marcello Guimarães (keyboards) and Márcio Bahia (drums) perform songs by MPB icons such as Caetano Veloso, Djavan, Gilberto Gil, Rita Lee, Chico Buarque, Ivan Lins, Milton Nascimento and many other wonderful composers who have made and continue to make the history of our music, so admired throughout the world. Special guest appearance by singer Andréia Pedroso." - https://becodasgarrafas.com.br/event/mpb-entre-amigos-julh/ "Japanese producer and drummer, Kazuo Yoshida has been one of the main promoters of the Bossa Nova songbook in Japan, a country whose music market is historically receptive to Brazilian music, especially Bossa Nova." - https://tinyurl.com/mwxs9xt8

Escadabaixo / Café Geraes, Piano Bar, Ouro Preto, Minas Gerais, Brazil.

#ouropreto #pianobar #brazil Escadabaixo / Café Geraes, Piano Bar, Ouro Preto, Minas Gerais, Brazil. 30.12.2022 "On the famous and bohemian Rua Direita, in the heart of the historic center of Ouro Preto, is Café Geraes Restaurante, since 2000 and until today a reference when looking for a cozy, pleasant place full of stories. On Thursdays, Fridays and Saturdays, from 8 pm, come and enjoy our atmosphere to the sound of Piano Jazz. But if you prefer a more relaxed atmosphere, with the sound of rock'n'roll, just go down the stairs and reach the Bar Cozinha Bar, which has modern decor and is ideal for happy hour. On the menu, which unites the principles of haute cuisine with simplicity from Minas Gerais, excellent options for the most diverse types of tastes and the most varied occasions. Keep an eye on our drinks menu, be sure to try the draft beer from Cervejaria Ouropretana and other craft beer options! " - https://www-opassopizzajazz-com-br.translate.goog/escadabaixo?_x_tr_hl=en-US&_x_tr_pto=wapp&_x_tr_sl=pt&_x_tr_tl=en