Inside the Herz-Jesu-Kirche, Bregenz, Austria 🇦🇹 - Place of Worship - Sacred Heart Church
#church #bregenz #austria
Herz-Jesu-Kirche, Bregenz, Austria 🇦🇹
"Sacred Heart Church: Modern acoustics and project video
The Sacred Heart Church in Bregenz boasts a state-of-the-art sound system!
In 2023, the sound system underwent a complete modernization – thanks to meticulous planning by MÜLLER-BBM ACOUSTIC TECHNOLOGY PVT LTD, structural optimizations, and cutting-edge media technology from MULTIMEDIAFABRIK GmbH.
A key objective was to reduce reverberation time to improve speech intelligibility and sound quality. Our media technology team reduced it from seven to five seconds – thanks to innovative Fohhn Audio AG loudspeakers with precise beam steering technology." - Google Translation: https://lnkd.in/dJmyx53R
"The main organ in the westwork of the Sacred Heart Church is one of the great works of the Schwarzach organ builder Josef Behmann. Built in 1931, it is considered a "high-ranking tonal monument" and a "Vorarlberg cultural asset of the first order."
It is a testament to late Romantic organ building and remains structurally and tonally unchanged to this day. The key action is electro-pneumatic, the stop action pneumatic.
Its case currently houses 4,529 pipes distributed across 61 speaking stops.
In 2001, an additional stop, Vox Humana, was added. In 2020, the Rieger organ building company in Schwarzach carried out a complete cleaning and restoration. A combination action system for electronic stop control was also installed." - https://lnkd.in/dfAPcTUE
#audio #acoustics #audioengineering #architecture #sounddesign #loudspeakers #worship #organ #proaudio
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Gloriosa Roda de Samba - Feira da Glória - Rio de Janeiro - Brazilian Music
#samba #riodejaneiro #rodadesamba
"Traditional Samba Circle in Glória Declared Cultural Heritage of Rio
The 'Gloriosa Roda de Samba' has taken place every 3rd Sunday of the month since 2005
The 'Gloriosa Roda de Samba'—as the gathering of musicians that has been taking place for nearly 20 years, every 3rd Sunday of the month in Glória (in central Rio), is popularly known—has officially become an Intangible Cultural Heritage of the City of Rio de Janeiro.
The initiative, enacted this Monday (April 29) and authored by City Councilors Luciana Boiteux (PSOL), Marcio Santos (PV), and Monica Benicio (PSOL), seeks to honor and celebrate the history revolving around the neighborhood and the samba circle itself. The circle began in 2005 as a gathering of a group of friends and eventually came to be visited monthly by renowned samba masters.
'It [Gloriosa] revived the joy of memorable *partido alto* sambas, which perfectly complement the charming and historic atmosphere of Glória. Today, it serves as a cultural and tourist attraction that also boosts the neighborhood's economic activity through its accompanying food and craft fair,' said Marcio Santos." - https://diariodorio.com/tradicional-roda-de-samba-da-gloria-e-declarada-patrimonio-cultural-do-rio/
"GLORIOSA is the traditional Samba Circle held every third Sunday of the month at the Glória Popular Fair Square. It is an initiative of the *Arteiros da Glória* Carnival Bloc, the musician PAULÃO 7 CORDAS, and the *Grupo de Samba da Mesa*. Upholding the traditions of days gone by, the Gloriosa Samba Circle features sambas by Candeia, Paulinho da Viola, Nelson Cavaquinho, Martinho da Vila, Zeca Pagodinho, Almir Guineto, Geraldo Pereira, Noel Rosa, among others. It is free to attend and always draws a great crowd." - https://www.sambando.com/as-10-rodas-de-samba-mais-tradicionais-do-rio-de-janeiro/
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@gloriosarodadesamba
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Inside the Kleiner Sendesaal, Haus des Rundfunks, Berlin, Germany 🇩🇪 - Walking Tour
#berlin #walkingtour #concerthall
Kleiner Sendesaal, Haus des Rundfunks, Berlin, Germany 🇩🇪
"Small Broadcasting Hall
The Small Broadcasting Hall most closely resembles the original state of Poelzig's 1931 design. The dimensions of the Small Broadcasting Hall are: 24.24 m in length, 11–14 m in width, and 7.20–7.50 m in height.
It can be accessed from the foyer via a small anteroom. The floor plan, like that of the other two broadcasting halls, is conical or trapezoidal. A gallery runs along the western long side on the first floor. A corridor runs beneath this gallery on the ground floor, connecting the foyer with the east wing.
Double, and in some cases even triple, windows are set into the walls on both long sides of the broadcasting hall complex; these can be closed with curtains. The idea behind the multiple windows is to create an air buffer to absorb sound from outside.
The longer narrow wall contains the control booth (also called the control room or listening room) on the ground floor. Above and beside the windows of the control booth are double-sided, door-like wooden panels. The side walls are also lined with these wooden panels, which can be folded down using hinges to dampen the sound. One side (wood) reflects the sound, while the other side (Celotex) absorbs it. This allows for the adjustment of various reverberation times.
The ceiling, both above the gallery and above the actual broadcasting hall, as well as the floor, are also made of wood. All windows, doors, and the opening to the gallery can be completely closed with fabric curtains to alter the acoustics.
The hall was formerly used for live radio broadcasts when recording and playing music was not yet possible or too expensive. For example, the inaugural concert of the building took place here on January 22, 1931. The hall is now used for chamber music, jazz concerts, and a variety of special events." - https://lnkd.in/dcyykRuB
"The small broadcasting hall, Studio 3, is primarily used for music recordings today.
In addition to fire safety requirements, the structural integrity, ventilation, and acoustics must be inspected.
In consultation with the historic preservation authorities, the flooring will be replaced and the studio technology upgraded." - https://lnkd.in/dGpeFxSD
#acoustics #architecture #audio #audioengineering #sounddesign #soundsystem #broadcast #radio #tv #immersiveaudio #musictechnology #signalprocessing
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Blackberry Smoke live at Mister Rock, Belo Horizonte, Brazil - Concert Overview
#blackberrysmoke #belohorizonte #livemusic
00:00:00 Mister Rock
00:00:15 Bronco Billy e os Mangas Coloradas
00:00:29 The Bar
00:00:45 Merchandise
00:01:03 Blackberry Smoke
"Back to Brazil
Seven years ago, Blackberry Smoke debuted in Brazil, performing in Curitiba, Porto Alegre, and São Paulo. Now they're keeping those three cities and adding another: Belo Horizonte.
The shows are happening this week. See dates and locations:
— April 8th (Wednesday): Porto Alegre (Urb Stage)
— April 10th (Friday): Belo Horizonte (Mister Rock)
— April 11th (Saturday): São Paulo (Audio)
— April 12th (Sunday): Curitiba (Tork n’ Roll)
Despite the pandemic, the death of Brit Turner, and other events that impacted the perception of time, Charlie Starr says he remembers the warm reception in 2019 very well and can't wait to repeat the experience:
"Well, I hope to have a lot of fun. Judging by my experience last time… You said it was seven years ago? I haven't forgotten, it was incredible." So I think we're really looking forward to it. I remember the excitement of the audience, first of all. Because we didn't know what to expect, or I didn't know, last time. Being our first visit, I was impressed by the fact that people knew the lyrics to all the songs and were singing so loudly. I couldn't have asked for a better experience.”
At the time, Blackberry Smoke was promoting the album Find a Light (2018). Now, the band is on the road celebrating 25 years of history, which will result in a more comprehensive setlist, according to Charlie.
Given its importance in the group's catalog, The Whippoorwill will certainly be the most featured album. It includes classics like "Pretty Little Lie," "One Horse Town," and "Ain't Much Left of Me." However, the repertoire will be vast and complete, worthy of the recently released Rattle, Ramble & Roll: The Best of Blackberry Smoke – Volume One (2025), their first compilation album.
Charlie comments:
"Well, this is our 25th anniversary. So we'll probably play a wider selection of material because we're kind of celebrating everything. You know, last time we were touring a specific album, you could say. So this time we hope to play everyone's favorites, if we can." - https://rollingstone.com.br/musica/blackberry-smoke-charlie-starr-entrevista-2026/
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Monsters of Rock 2026 - São Paulo - Festival Overview - Halestorm - Extreme - Lynyrd Skynyrd - GnR
#monstersofrock #gunsnroses #lynyrdskynyrd
00:00:00 Eddie Trunk presents Yngwie Malmsteen
00:00:25 Yngwie Malmsteen
00:01:58 Halestorm
00:04:28 Eddie Trunk presents Extreme
00:05:25 Extreme
00:09:59 Eddie Trunk presents Lynyrd Skynyrd
00:11:13 Lynyrd Skynyrd
00:15:41 Guns and Roses
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"Monsters of Rock 2026 was a marathon of riffs, sweat, and emotion: review and photos
On April 4, 2026, at Allianz in São Paulo, we witnessed another edition of Monsters of Rock, which was full of surprises. The day was fantastic, and the audience was enthusiastic and ready to enjoy a day of great rock.
Jayler was the first surprise. The band's high-quality sound and spectacular stage presence, especially vocalist James Bartholomew with a firm voice and a range that resonated, energizing the entire audience that was still arriving at the stadium. I had already heard and seen videos, but live it was even better. A powerful, technical performance full of the overwhelming energy of the new generation of Hard Rock!
Right after, we had Dirty Honey, who left a great impression. The vocalist Marc LaBelle had plenty of charisma, winning over the audience by singing in the middle of the crowd. A powerful performance, full of groove, memorable riffs, and the classic energy of modern hard rock!
Changing the pace, Yngwie Malmsteen arrived, with his expected long solos, showcasing technique and talent to spare. Fans witnessed a fervent demonstration from this talented guitarist. Absurd speed, impeccable technique, and that neoclassical style that only he possesses—it was a guitar lesson from beginning to end.
Now, a band that energized the audience was Halestorm. Right from the start, they featured an impressive performance by Lzzy Hale, who delivered an extraordinary show with a powerful voice that captivated the audience and pleased the fans, along with her brother Arejay Hale on drums. The live performance of "I Miss the Misery" was powerful, intense, and showcased Lzzy's vocal delivery and striking presence. The audience was captivated from beginning to end.
Changing the atmosphere slightly, Extreme took the stage with a balanced performance. Gary Cherone entered with high energy that lasted until the end of the show. Of course, the highlight was the song "More Than Worlds," when the entire stadium sang along, enjoying the moment with Gary and Nuno Bettencourt, whose talent and charisma captivated the audience, adding a nostalgic atmosphere. A powerful, emotional performance full of distinctive musicality.
Finally, the long-awaited band arrived: Lynyrd Skynyrd. And they guaranteed the high point of the night. An emotionally charged performance that kept the audience engaged from beginning to end with a sequence of classic songs from the band, seemingly hand-picked to ensure the fans' delirium.
Johnny Van Zant brought a confident and captivating presence, and the crowd responded accordingly. The song "Simple Man" echoed through the stadium, a chorus from everyone present, along with "Tuesday's Gone," which brought tears and generated a strong connection and nostalgia for the band's tragic history. To close with a flourish, during the encore, they played "Free Bird," which featured images and the voice of Ronnie Van Zant, moving the audience and clearly demonstrating the grandeur and presence of Lynyrd Skynyrd. An emotional, intense performance, brimming with the classic soul of Southern Rock.
Closing the festival was the last show of the night, Guns N' Roses, who came out blasting with "Welcome to the Jungle," which had the crowd going wild right from the start. Axl Rose returned with renewed energy and a much better performance than the last time. We had moments of euphoria with songs like "November Rain" and also "Junior's Eyes," a tribute to Ozzy Osbourne. Slash delivered a grandiose, emotional performance marked by the band's epic arrangements! In short, a performance full of attitude and the classic energy of the group!
Monsters of Rock delivered what was expected: seven bands and almost 12 hours of shows, in a festival that has been bringing big names from the world of Rock for years. Let's wait for the next one, hoping they'll surprise us with great Monsters of Rock.
By Rosana Sanchez" - https://rockbrigade.com.br/monsters-of-rock-2026-foi-maratona-de-riffs-suor-e-emocao-review-e-fotos/
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Inside the Candelária Church, Rio de Janeiro, Brazil, Worship, Igreja de Nossa Senhora da Candelária
#church #riodejaneiro #worship
"Who goes to Rio and does not know Candelária leaves the city with a sensation of not doing a complete ride. Beloved by the people, it’s one of the most famous and beautiful churches of Brazil. The Nossa Senhora da Candelária church receives a hundreds of tourists every day, and it’s located where there are a lot of cultural interest on the city.
The name of the church has an origin that it’s not proven historically. It tells the legend that, in the beginning of the century 17, a storm almost caused a wreck of a Spanish boat called Candelária. Where the captains Antonio Martins Palma and Leonor Gonçalves were. The couple would have made a promise to raise a hermitage dedicated to Nossa Senhora da Candelária whether they would scape alive. Fulfilling the promise, on the arrival in Rio, over 1609, they built a little chapel in the place where lately is the church.
However, the official records start only in 1710, when happened the first reform of the parish little church. On the second half of the century 18, the necessity of the extension made that the Staff Sergeant Francisco João Roscio, Portuguese military engineer, draw plans to the new edification like a latin cross, started in 1775, using the extracted material of the patroness of the city, at Catete.
The first opening was made in 1811 with works unfinished – there was only one nave and altars carved by Mestre Valentim – because of the presence of the prince regent and future king of Portugal, D. Joao VI. Mestre Valentim was the big artist like rococo style from Rio de Janeiro and unfortunately his works were replaced in the subsequent reforms. Some people use to say that the church reminds some works of portguese barroco scheduled from the century 18.
The facade, considered one of the most beautiful of the world, is directed to Guanabara bay, main entrance road of the city on the age of the construction. The plant has a latin cross format and all the history in painted on murals. On the century 19, the church’s Project was extended to the current configuration with three naves, keeping the original facade created by Francisco Roscio.
The dome, final part of the project, represented a big obstacle to the work between 1856 and 1877. Many architects need to intervene and the several part of the dome, made by Lioz Portuguese rock and brought from Lisboa, were finally installed following the 8 statues that decorates the church, sculpted by the Portuguese José Cesário de Salles. The dome of Candelária Church was for a long time the highest construction of the city.
In1878, the intern decoration Italian renaissance started to appear in the church because of the polychrome marble flooring on the walls and columns, differently of the usual on that age. The paintings on the murals belong to the Brazilian João Zeferino da Costa, professor of the Imperial Academy of Fine Arts and the students Henrique Bernardelli, Oscar Pereira da Silva and Giambattista Castagneto helped him.
Other important details from the country side are the altar of the Brazilian Archimedes Memoria, the German stained glass and the big pulpits in art nouveau style of the Portuguese sculptor Rodolfo Pinto de Couto (1931). In 1901, were installed the beautiful brass doors on the entrance of the church, Portuguese Teixeira Lopes’ work." - https://riotur.rio/en/que_fazer/igreja-de-nossa-senhora-da-candelaria-2/
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Inside Convento de Santo Antônio, Rio de Janeiro, Brazil - Place of Worship - Walking Tour
#church #riodejaneiro #worship
"The Convent presents several riches such as the carpentry pieces executed by Manoel Setúbal. The Festival dedicated to the saint is celebrated on the 13th of June with Masses from 6h, blessings and distribution of breads and stalls with typical food of June parties.The space “ Antonian Gastronomy is back to business again during the festivities with dishes of pasta and sauces,in the basement of the convent." - https://riotur.rio/en/que_fazer/church-and-convent-of-santo-antonio/
"The first friars of the Franciscan Order arrived in Rio in 1592 and established their first residence at the foot of the now-extinct Morro do Castelo (Castle Hill), until they received a donation of land on Morro de Santo Antônio (Saint Anthony's Hill) (so named because there was a small chapel dedicated to the Saint there) where they built the Convent.
The cornerstone was laid on June 4, 1608, and the first mass was celebrated in 1615. In the 1750s, major renovations were made to expand its capacity, and the convent took on its current configuration.
Several friars from the Convent were prominent figures. Friar Vicente do Salvador, for example, authored the first document in Brazilian historiography, *História do Brasil* (1627).
The manuscript was found by Capistrano de Abreu in the National Library in 1881, two and a half centuries after it was written and published in 1888. Friar Sampaio authored the *Manifesto do Rio de Janeiro*, a text that requested Dom Pedro's continued stay in Brazil and was delivered to the prince on January 9, 1822, the date Dom Pedro famously declared "I'm staying." The friar was also a political mentor to Dom Pedro I, and it is said that several discussions in favor of independence took place in his cell.
No campo intelectual, destaca-se a biblioteca que, em meados do século XVIII, contava com 5 mil títulos. Ela ainda é bastante rica, mas os títulos anteriores a 1900 foram transportados para a Universidade São Francisco, em Bragança Paulista. Foi também no final século XVIII que, no atual Salão de Confissões, funcionou uma universidade até 1820.
Após o fim da Revolta da Armada (1891-94), o morro de Santo Antônio começou a ser ocupado por barracões que serviam de alojamento para os soldados, depois por civis e tornou-se uma das primeiras favelas do Rio. Com a justificativa da necessidade de reestruturação viária da cidade, os habitantes da favela do Santo Antônio sofreram ações de desapropriação e alguns incêndios “misteriosos”, até que grande parte do morro foi derrubada, em fins de 1950. O Aterro do Flamengo foi construído com suas terras. Atualmente ele abriga apenas o Convento, a Igreja de Santo Antônio e a capela." - https://riomemorias.com.br/memoria/convento-de-santo-antonio/
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Ratos de Porão and D.R.I. live in Belo Horizonte, Brazil - Concert Overview
#ratosdeporao #dri #belohorizonte
00:00:00 Catavento Cultural
00:00:32 Merchandise
00:01:18 Ratos de Porão
00:21:10 D.R.I.
"The tour also includes a stop on March 17, 2026 in Porto Alegre/RS (D.R.I. only), at Ocidente, and continues on March 19th to Curitiba/PR, at Tork n’ Roll. On March 20th, they play in Rio de Janeiro/RJ, at Circo Voador, and on March 21st in Belo Horizonte/MG, at Mister Rock.
The ‘dirty and rotten imbeciles’ return to Brazil with a robust setlist, full of classics forged in 41 years as a band. D.R.I. was born as a garage band in Texas in 1982 playing fast and aggressive hardcore punk, inspired by bands like Black Flag and Minor Threat.
Their first release dates back to 1983, the demo “Dirty Rotten EP”, with 22 songs in just 18 minutes. The material was later re-released as "Dirty Rotten LP," one of the fastest and most intense albums of the time, and here heavier riffs appear, bringing hardcore closer to thrash metal.
D.R.I.'s trademark, the amalgamation of hardcore and metal, was definitively established in 1985 when the band moved to San Francisco, in the Bay Area, the birthplace of thrash metal. The album Dealing With It! marked the turning point: still punk, but with heavier guitars and complex structures.
And the peak and success of this style is with the album Thrash Zone (1989), considered D.R.I.'s most popular, with tracks played on various editions and for years on MTV Headbangers Ball.
The recent lineup includes founding member Kurt Brecht (vocals), Spike Cassidy, the band's only guitarist throughout their discography, Greg Orr (bass, known for playing in the legendary Californian crossover/thrash band Attitude Adjustment, active since the 80s and equally pioneering in the style) and Danny Walker (drums, with stints in Exhumed, Intronaut and Jesu).
Ratos de Porão, the Crossover Icon in the Tropics
Ratos de Porão is tireless, touring throughout Brazil and Latin America, and its relationship with crossover is historic, considered the greatest Latin American representative of the style.
The band was formed a year before D.R.I., in November 1981, during the explosion of the São Paulo punk movement. Their first album, Crucificados pelo Sistema (Crucified by the System), was released in 1984 and featured songs that became instant hits such as Crucificados itself, Agressão Repressão (Aggression, Repression), and Morrer (To Die).
From the second half of the 1980s onwards, influenced by bands like D.R.I., Suicidal Tendencies, and Corrosion of Conformity, Ratos began to incorporate heavy riffs, solos, and the feel of thrash metal.
This was crystallized in albums like Descanse em Paz (1986), Brasil (1989), already completely crossover, with international production and socially impactful lyrics, and Anarkophobia (1991), recorded in Berlin, is one of the most respected crossover albums in the world." - https://roadiecrew.com/events/d-r-i-ratos-de-porao-belo-horizonte-mg/
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Inside the Maracanã Stadium with Backstage Access - Rio de Janeiro - Brazil
#football #maracanã #riodejaneiro
00:00:00 Metrô Green Line L2: Pavuna - Centro
00:00:53 Maracanã Metrô Station
00:01:26 Maracanã Stadium
00:01:54 Locker Room
00:02:51 Football Field
00:05:36 Maracanã Museum
00:07:55 Garrincha
00:08:14 Zico
00:08:54 Press Room
"Maracanã
Estádio Jornalista Mário Filho, better known as Maracanã, the popular Maraca (“similar to a rattle” in Tupi-Guarani, due to the sound of birds that lived there), is a football stadium located on Avenida Presidente Castelo Branco, in Rio de Janeiro and inaugurated in 1950, during the term of the then Division General and Mayor of the Federal District of Rio, Marshal Ângelo Mendes de Moraes, having been used in the FIFA World Cup of that year.
Since then, the Maracanã Stadium has been the stage for great moments in Brazilian and world football, such as Pelé's thousandth goal, finals of the Brazilian Championship, Carioca Football Championship, Copa Libertadores de América and the first FIFA Club World Championship, in addition to international competitions and matches of the Brazilian National Team." - https://www.estadiodomaracana.com.br/
"Maracanã, where the most important Brazilian football derbies take place, has also been the setting of historical moments of the international football. Monumental events, such as Pelé's thousandth goal in 1969, also took place on the pitches of the Brazilian football temple.
Inaugurated on June 16, 1950, the stadium has hosted World Cup games that year and a few matches of the 2014 World Cup, including the grand finale. It also hosted the 2013 FIFA Confederations Cup, opening and closing ceremonies of the 2007 Pan-American Games, and more recently the 2016 Olympic Games and 2019 America's Cup. In addition to sporting competitions, Maracanã has already hosted important events such as concerts of Madonna, Rolling Stones twice, Paul McCartney, Tina Turner, Foo Fighters, Coldplay and outdoor masses with Pope John Paul II in 1980 and 1997." - https://en.tourmaracana.com.br/estadi....
"WSDG was invited to design the Audio and Video Systems for the entire stadium and public areas, covering over 100,000 m2 including:
- Sound system for all spaces including the soccer field, audience and internal spaces such as VIP rooms, access, and offices.
- Video systems including two large LED video walls (100m2 each) and over 400 video displays all around the stadium.
- Day Time Displays
- Audio and Video Control Rooms
Samba da Jabuticaba live at Espaço Cultural Paulão 7 Cordas - Rio de Janeiro - Brazilian Music
#samba #brazilianmusic #riodejaneiro
00:00:00 Rua do Lavradio - Rio de Janeiro
00:00:14 Soundcheck and Capirinha
00:00:57 Samba da Jabuticaba
00:37:00 Caipirinha de Maracujá
00:55:00 Marieta Severa and Felipe Camargo - Audiovisual Production Filming in Downtown Rio de Janeiro
"🍇🎶 Tuesday is Samba da Jabuticaba day! 🎶🍇
Tomorrow, Tuesday, March 17th, starting at 6 PM, Lapa will once again pulsate to the rhythm of one of the most beloved gatherings in the neighborhood: Samba da Jabuticaba.
A true selection of musicians will take over the roda de samba and lead the party with high-level samba, musical excellence, and a repertoire that gets everyone singing along. A gathering that has become a tradition and shakes up Tuesday nights in Lapa with lots of energy, joy, and real samba.
Those who have already been know: it's a full roda de samba, a wonderful atmosphere, beautiful people, and that welcoming environment that only samba provides.
⏰ Starting at 6 PM
📍 Espaço Cultural Paulão 7 Cordas
Rua do Lavradio, 11 – Lapa
🎟 Free entry
Come and experience another night of authentic samba and gatherings!" Special events and lots of positive vibes in the heart of Lapa.
Samba da Jabuticaba is already a success — and you're invited! 🎶🔥" - https://www.instagram.com/p/DV9tTOTjUiV/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ==
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Tribute Bands: Metallica, Ronnie James Dio and Iron Maiden - Mister Rock - Belo Horizonte - Brazil
#metallica #ronniejamesdio #ironmaiden
00:00:00 Mister Rock - Belo Horizonte
00:00:15 Soundcheck
00:01:26 Metallica Tribute Band
00:03:32 Ronnie James Dio Tribute band
00:08:45 Iron Maiden Tribute Band
https://www.instagram.com/misterrockbar/
https://www.instagram.com/ancientmariners/
https://www.instagram.com/barbanegrabh/
https://www.instagram.com/militiabh/
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Inside the Onze-Lieve-Vrouwebasiliek, Maastricht, Netherlands - Basilica of Our Lady - Worship
#maastricht #church #netherlands
Onze-Lieve-Vrouwebasiliek, Maastricht, Netherlands 🇳🇱
Basilica of Our Lady
"The Maastricht Basilica of Our Lady, also known by its Dutch name Onze-Lieve-Vrouwebasiliek, stands as one of the most cherished religious and architectural landmarks in the Netherlands. Nestled in the oldest part of Maastricht, close to the banks of the River Meuse, this awe-inspiring Romanesque church is far more than a relic of the past—it is a living monument that embodies centuries of devotion, culture, and community identity.
Centuries of Sacred Heritage and Purpose
The history of the Maastricht Basilica of Our Lady can be traced back to the 11th century, though the site may have hosted earlier Christian worship as far back as Roman times. Its current structure, constructed primarily from marlstone and local limestone, reflects the robust and solemn beauty of the Mosan Romanesque style, which is characteristic of the Meuse valley region.
The church was originally built to serve as a pilgrimage site and was an important waypoint for travelers on their way to Santiago de Compostela in Spain. Over the centuries, it evolved into both a place of sanctuary and a symbol of the city’s resilience. The twin towers, solid walls, and narrow windows give it a fortress-like appearance—highlighting its dual role as both a place of worship and, in medieval times, part of the city’s defensive network." - https://lnkd.in/dpfwarQw
#acoustics #architecture #sounddesign #soundsystem #loudspeaker #audio #audioengineering #organ #signalprocessing #immersiveaudio #worship
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Jam Session in Ilmenau - Baracke 5 - BC Club - Germany - Live Music
#ilmenau #tuilmenau #jamsession
Baracke 5 e.V., Ilmenau, Germany 🇩🇪
"Baracke 5 e.V. is a registered non-profit association whose goal is to provide space for young and not-so-young musicians to rehearse and jam." - Backstage Pro - https://lnkd.in/dyPNjQXA
"Description
Legal form: Registered association (e.V.)
History: Opened in 1999.
Visitor capacity: 100 people.
Program: Approximately 18 concerts annually, focusing on metal, rock, and jazz, plus dance events." - Deutsches Musikinformationszentrum, https://lnkd.in/dJ_eM-jW
"Venue: 70m², about 7x10m
Stage: 12m², 4x3m
PA:
- 2x dBTechnologies FlexSys F12
- 2x dB Technologies SUB618
Monitor:
- 2x RCF ART 310-A
- 2x LD Systems STINGER 12A (G1) 4 separate channels
Mikrophones/DI:
- 3x Shure Incorporated SM58
- 1x Shure Beta58
- 4x Shure SM57
- 2x Sennheiser e906
- 4x beyerdynamic TG_D57c
- 1x AKG D112
- 2x RØDE NT5 matched pair
- 4x Behringer UltraDI DI400P
- 1x Palmer PAN 01 Pro
- 2x Palmer PAN 04
FOH:
- Allen & Heath SQ5" - https://lnkd.in/dhbnkFYJ
#audio #acoustics #audioengineering #loudspeaker #soundsystem #sounddesign #proaudio #signalprocessing
Leitmotiv Online Medien GmbH & Co KG
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Inside the Salle de Musique de Chambre, Luxembourg City 🇱🇺 - Grande-Duchesse Joséphine-Charlotte
#concerthall #philharmonie #luxembourg
Salle de Musique de Chambre, Luxembourg City 🇱🇺
Grande-Duchesse Joséphine-Charlotte Concert Hall
"After the Grand Auditorium, we move on to the chamber music hall (Salle de Musique de Chambre). Located at the heart of the building, its layout conveying the intimacy of a cocoon. Its ceiling, decorated with the signs of the zodiac, points to the many mysteries of the universe." - https://lnkd.in/dNYrsszH
"With its elegantly curved walls, starry ceiling and crimson carpets, the Salle de Musique de Chambre is a real cocoon complete with an intimate stage and around 300 seats.
Capacity
313 places and 3 additional seats for disabled persons
Stage
Surface: 80 m²
Dimensions (height x length x width): 9 m x 10,5 m x 12 m" - https://lnkd.in/dB8gamCU
"In contrast to the large Grand Auditorium, the Salle de Musique de Chambre (Chamber Music Hall) provides a more intimate setting for up to 300 listeners. In this room, curved walls reminiscent of a petal and a sound reflector above the stage maintain the sound quality." - https://lnkd.in/dMW-MWbg
"The shape of the hall, nestling against the elliptical main building like a leaf, with seating for 300, is conditioned by particular acoustic requirements. The shell-like curve of the two walls and a reflector above the orchestra provide optimum sound dissemination. Coming from the peristyle gallery, and following the curved wall, visitors discover the chamber music hall from the upper area, leading down into an outstanding hall. " - https://lnkd.in/dv-c2s5P
#acoustics #architecture #audio #audioengineering #sounddesign #soundsystem #immersiveaudio #signalprocessing #luxembourg #concerthall
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Inside the Große Sendesaal in Haus des Rundfunks - RBB - Berlin - Germany - Walking Tour
#concerthall #berlin #walkingtour
Der Große Sendesaal im Haus des Rundfunks, Berlin, Germany 🇩🇪
"Leonard Bernstein, the Berlin Philharmonic, and Ingo Metzmacher with the German Symphony Orchestra have performed here, as have Gianna Nannini, Adam Green, and Norah Jones: Since 1931, the legendary Great Broadcasting Hall of the Haus des Rundfunks (Broadcasting House) has hosted top-class recordings and outstanding concert events. This makes the 1,300-square-meter radio studio not only one of the largest in Europe, but also the oldest of its kind.
The rbb (Berlin-Brandenburg Broadcasting) and its radio programs use the Great Broadcasting Hall for a wide variety of music productions. In addition, the Rundfunk-Sinfonieorchester Berlin (RSB) regularly rehearses here. This is part of the rbb's cultural commitment as a shareholder of Berliner roc GmbH.
The hall boasts a fascinating interior design dating from 1959. Its theatrical layout, with its rising parquet floor and widened gallery opposite a terraced stage, meets the acoustic requirements of both a radio studio and a concert hall. Box-shaped scattering and absorption bodies on the elm-veneered hall walls, as well as reflector sails suspended above the stage, achieve a diffuse reverberation." - https://lnkd.in/dQu9vZvs
"The House of Broadcasting in Berlin-Charlottenburg is one of the oldest broadcasting buildings in Europe. Its striking facade is a prominent feature of Masurenallee.
Architect Hans Poelzig's design for the broadcasting building won a competition against two other entries, and in 1929 he was commissioned to construct the new broadcasting facility. When it opened in January 1931, it was clear that the building made a distinctive architectural statement. Its unusual triangular shape is derived from its function. Poelzig placed the three large broadcasting studios in the center and shielded them from street noise with surrounding office buildings. This also created a total of four courtyards." - https://lnkd.in/dqKeV6tc
"Large Broadcasting Hall
The Great Broadcasting Hall is the heart of the building. Its dimensions are: 47.5 m long, 25.3 to 33.8 m wide and up to 12 m high.
...
A special feature was the ability to create "different room acoustics depending on the nature of the performance" by means of "rotating panels, which run the entire height of the wall at a width of 1 m." Behind a "large opening in the fourth, shorter end wall, [a space was] provided for an organ to be installed later." This organ, built by Friedrich Weigle, was already under construction at that time. " - https://lnkd.in/dNPvNuzU
#acoustics #architecture #audio #audioengineering #broadcast #concerthall #sounddesign #soundsystem #immersiveaudio #signalprocessing #radio #television
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A Cidade da Música da Bahia, Salvador, Bahia, Brasil - Música Brasileira
#salvador #bahia #musicabrasileira
"Berço de grandes artistas da MPB, samba-reggae, rock, pagode, axé e de diversos outros gêneros e ritmos, Salvador tem na música uma de suas principais manifestações culturais. E pela primeira vez, em seus 472 anos de história, a capital passa a contar com um espaço de celebração e de conhecimento dessa expressão artística com a implantação da Cidade da Música da Bahia, novo museu instalado pela Prefeitura de Salvador no emblemático Casarão dos Azulejos Azuis, no bairro do Comércio.
Situado em uma localização estratégica e de fácil acesso – próximo ao Elevador Lacerda e ao Mercado Modelo, dois conhecidos cartões portais soteropolitanos -, o imóvel foi completamente recuperado pela Prefeitura e apresenta a história da música desde os tempos da colonização da primeira capital do Brasil até a explosão de diversidades sonoras dos tempos contemporâneos. Além disso, também será um centro cultural de produção de novas linguagens musicais, com aparelhamento técnico e estúdios para promover novos movimentos.
Gerenciado pela Secretaria Municipal de Cultura e Turismo (Secult), a Cidade da Música da Bahia possui 1.914,76 m² de área construída e quatro pavimentos, cuja imersão dos visitantes é proporcionada através da mais moderna tecnologia utilizada atualmente. O piso térreo conta com hall de entrada, recepção/bilheteria, salão de estar, café, loja, biblioteca, midiateca, centro de pesquisa, área de infraestrutura do centro cultural, secretaria, depósito, copa e área de funcionários. A partir daí, a viagem ao universo sonoro da capital baiana é monitorada através do smartphone do visitante, a partir do sistema da Cidade da Música que pode ser acessado através de QR Code e mediante preenchimento do cadastro.
Demais pavimentos – Os pavimentos superiores abrigam acervos permanentes e estão sob as curadorias do antropólogo Antonio Risério e do arquiteto e artista Gringo Cardia, que também atuaram em outro equipamento municipal: a Casa do Carnaval da Bahia, na Praça da Sé. No primeiro andar da Cidade da Música, os visitantes se deparam com a exposição “A Cidade de Salvador e Sua Música”, que retrata bairros da cidade e suas músicas, histórias, depoimentos e novas tendências. O local dispõe de recursos audiovisuais através de uma grande maquete interativa, três grandes telas de projeção, estações de consulta e estúdio para gravação de depoimentos.
O segundo andar, por sua vez, possui na ambientação o tema da Tropicália com ilustrações gigantes de fragmentos da pintura modernista de Genaro de Carvalho. O local abriga a exposição “História da Música na Bahia” com nove cabines de vídeos, além de três salas.
Uma delas é intitulada “A Magia da Orquestra” e exibe conteúdo voltado para a música clássica, mostrando como funciona uma orquestra passo a passo, quais os instrumentos a compõe e vídeo gravado com a Orquestra Sinfônica da Bahia.
A sala “A Nova Música da Cidade” traz experiência imersiva com grande tela de 80 polegadas, onde passam vídeos com grupos novos, cantores em ascensão e grupos periféricos de música. O sistema de iluminação desse local acompanha as luzes do show ou clipe, dando a sensação ao visitante que ele está dentro da tela.
Já a sala “Quem Faz a Música da Bahia” é equipada com uma grande tela na qual são exibidos 260 depoimentos das pessoas mais importantes e representativas da música baiana. Lá, o público também tem acesso a uma edição do vídeo dinâmica em forma de roda de conversa, de maneira a ter um conteúdo interessante em qualquer momento que se entra nela.
O último pavimento da Cidade da Música da Bahia oferece entretenimentos educativos. Há três estúdios de gravação de clipes karaokê onde o visitante escolhe um fundo gráfico e, ao final, tem seu clipe pronto para postar em redes sociais. Uma estação de vídeo mostra todos os clipes que foram gravados. O conteúdo é acumulativo e dá para pesquisar quem gravou.
O cardápio de variedades segue com a sala do “Rap e Trap, poesia consciente” que mostra vídeos de vários rappers, trappers e poetas de todo o Brasil, em especial os artistas jovens da Bahia. Esse espaço tem um pequeno tablado no qual o visitante pode recitar seu rap ou poesia.
...
O terceiro andar ainda tem sala especial de demonstração de um set de percussão onde as pessoas sentam em volta da mesa central. Um monitor do espaço cultural faz uma aula show com a participação final de todos os visitantes. Essa mesma sala está desenhada para ser um estúdio de gravação que acolherá o projeto “Novos Talentos”, no qual a Cidade da Música escolhe quatro jovens artistas por mês e produz a música e um clipe dos selecionados." - https://secult.salvador.ba.gov.br/cidade-da-musica-da-bahia/
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