Guitars 4RL Map

Charlie Scott's Bar and Café, Copenhagen, Denmark - Jon Roniger and The Good For Nothin’ Band Live

#copenhagen #jazzclub #denmark 00:00:00 The Building - Charlie Scott's 00:01:13 Entrance - First floor 00:01:37 Carlsberg Beer - 0.5L - DKK 54 ( €7.25 23.06.2023) 00:01:45 Second Floor Jon Roniger and The Good For Nothin’ Band DKK 100 (€13.90 23.06.2023) 00:03:00 Jon Roniger and The Good For Nothin’ Band Soudcheck 00:03:32 First Set - Jon Roniger and The Good For Nothin’ Band 00:13:52 Couple Dancing - Jon Roniger and The Good For Nothin’ Band 00:15:31 Bass Solo and Drums Solo 00:17:26 Keyboards Solo 00:19:12 WC . Charlie Schott's 00:19:50 Second Set -Jon Roniger and The Good For Nothin’ Band 00:24:21 Guitar Solo 00:27:17 Drum Solo 00:30:00 Encore - Introducing the Band 00:39 Leaving the Bar 00:40:40 BONUS - Jon Roniger and The Good For Nothin’ Band - http://www.thegoodfornothinband.com/ "Charlie Scott's is a bar and cafe in Copenhagen city centre. The place is frequented by a lot of regulars and is known for its live jazz sessions several days during the week and live bands at weekends." - https://www.visitcopenhagen.com/copenhagen/planning/charlie-scotts-gdk551430 "Charlie Scott's was voted as best livejazz venue in Denmark 2013 and is the place where good danceable jazz music happens! The music is mainly played by young musicians with a great love for oldschool swing, traditional jazz, blues, New Orleans funk and other related styles. Take a walk up the stairs and experience nice cold beer, a hot dancefloor and an athmosphere you will not find anywhere else. Livemusic every Tuesday (Chris Tanner Trio), Friday and Sunday all year. Special events are happening during Vinterjazz Festival in February and Copenhagen Blues Festival end September. Charlie Scott's Bar presents the best of young Danish New Orleans music plus international guest stars, street parades, jam sessions etc. Charlie Scott's Bar is supported by KBH Kommune and the Danish Art Council (Statens Kunstfond)." - https://jazz.dk/en/copenhagen-jazz-festival-2021/venues/11789/ http://www.thegoodfornothinband.com/ https://www.instagram.com/jonroniger/ https://www.youtube.com/user/jonroniger1 https://twitter.com/thegoodfornots "Jon Roniger and The Good For Nothin’ Band proudly plays all original grease slicked, jazz licked, blues-rock, singer/songwriter music that draws wayward wanderers from the streets and pulls them to the dance floor. In only two years since the band’s inception, they boast a host of local residencies on the highly competitive New Orleans music scene. The band consists of Jon Roniger (singer/songwriter, guitar), Brendan Michael Bull (drums, vocal), Evan Paydon (bass), Russell Ramirez (trombone, vocal), and Jon Bauer (trumpet, vocal). For 200+ shows a year, Jon Roniger and The Good For Nothin’ Band tour nationally and internationally. "Maniac World", their first LP garnered rave reviews. "New Orleans based five piece The Good for Nothin’ Band practically crackle with chops on each cut." (Lydia Hillenburg, Vents Magazine). "There’s something to satisfy every sensibility. This is an outfit with a boundless future." (Michael Saulman, Gashouse Radio). Their sophomore effort "Second Shot" is due out in November 2017 and already has local festivals, venues, press and listeners begging for a taste. PRESS "Jon Rongier and his cohorts have fused often surprisingly poetic and image-filled lyrics with the melodic and highly stylized textures of Dixieland jazz and Delta blues. While it may sound effortless, the band practically crackles with chops on each cut.” — Lydia Hillenburg, Vents Magazine (Oct 14, 2016) "Everything about this unit is steeped in the history and environs of the Crescent City with a roar of tradition, conviction, and an unquenchable thirst for new wine in old bottles. There’s something to satisfy every sensibility. This is an outfit with a boundless future.” — Michael Saulman, Gashouse Radio (Oct 14, 2016) "There’s an original voice at work here, sly and sophisticated without being too self-conscious. If you want a date-night cocktail of real NOLA flavors, fizzy and giddy enough to seduce whomever you’re giving the side eye to, spin them around to this. It deftly sidesteps the hard sell.” — Robert Fontenot, Offbeat Magazine "One of the band’s most important ingredients is a sense of humor, but they never play the material or the genre as a whole for laughs. Instead, the band’s songwriting humor relies on discovering the absurdity in life rather than pursuing gimmickry and novelty.” — Lance Wright, Indiemunity (Oct 14, 2016) "Jon Roniger and The Good For Nothin' Band's "Maniac World" strikes notes of the familiar, but overall, it’s quite unlike anything you’ll hear. It's an impressive debut that sets the band up nicely for the future and establishes a very flexible musical template that shows no limits about where they can take it." - https://www.livejazz.dk/concerts/jon-roninger-and-the-good-for-nothing-band--72235

Unboxing a Harley Benton BM-75 Trans Red, Brian May Red Special Replica

"Body: Mahogany Set-in neck: Mahogany Fretboard: Amaranth Fretboard inlays: Dot Fretboard radius: 350 mm Scale: 635 mm Nut width: 42 mm 24 Frets Pickup: 3x Vintage Style single coils 1 Master volume, 1 master tone control 5-Way pickup selector switch 3 Phase switch Chrome hardware Floating tremolo HB Jinho JN-03 Mini machine heads Ex-factory stringing: .010 - .046 Colour: Trans Red high gloss ... Soundboard: Mahogany Neck:Mahogany Fretboard: Amaranth Frets: 24 Scale: 635 mm" - https://www.thomann.de/intl/harley_benton_bm_75_trans_red.htm?shp=eyJjb3VudHJ5IjoiZGUiLCJjdXJyZW5jeSI6MiwibGFuZ3VhZ2UiOjJ9&reload=1&gclid=CjwKCAiAxP2eBhBiEiwA5puhNd4Pcwo2TAWRVpW31FvTlMdYhafT9I0kdNp9yNx1jj0K6zn5QmLUGRoC3FkQAvD_BwE

Vesperata in Diamantina, Real Life Immersive Experience, O que é? O que é? Gonzaguinha. Brazil

 

#vesperata #brazil #immersiveaudio Song: O que é? O que é? - Gonzaguinha "One of the most traditional and authentic events in Minas Gerais Vesperata has its origins in the traditional musical practices of Diamantina in the 19th century. When in the period of vespers, musicians performed on the balconies of the mansions to play for people walking in the streets. And what are vespers? Vespers is part of the Liturgy of the Hours, which is celebrated in the afternoon, between 3 pm and 6 pm. Cultural Heritage of Minas Gerais Recognized as an important event of tourism and culture in Brazil, Vesperata was awarded in 2010 by the Ministry of Tourism with the Roteiros do Brasil Trophy, for promoting Cultural Sustainability in the Municipality. With a repertoire full of good music and different styles, Vesperata is recognized as Cultural Heritage of Minas Gerais. In Diamantina, you will have the opportunity to watch one of the most beautiful musical shows of the local culture: The Vesperata that seems, at first glance, to be a serenade in reverse. Considered a “serenade in reverse” due to the fact that the musicians position themselves at the windows and play for the public on Rua da Quitanda, which is crowded with tables around the conducting maestros. Each presentation brings together more than a thousand people. The famous Vesperata de Diamantina, in addition to being a spectacle for the eyes and ears, is a source of pride for citizens of Diamantina. It is a unique event because nothing compares to the feeling of watching the presentation tasting a good wine, or, if you prefer, the famous cachaça from the North of Minas Gerais." - https://www.pousadadogarimpo.com.br/noticias-do-blog/temporadas-vesperata-diamantina/

Flamenco at Venta el Gallo, Granada, Spain - Live Music with Dinner

 

#flamenco #granada #spain 00:00:00 Arriving at Venta el Gallo 00:00:55 Cave Restaurant Venta el Gallo 00:01:58 Assorted Alpujarreño sausage starter 00:02:21 Tortilla Sacromonte and Omelette Broad beans with ham 00:02:43 Flamenco soundcheck 00:02:56 Grilled sea bream with sautéed vegetables 00:03:07 Flamenco Concert "Founded in 1977 Juan Heredia, “Juanillo” was the son of the legendary dancer Antonia “la Gallina”, one of the artists that Vicente Escudero chose for his tour of North America during the 1930s. He began his artistic career as a guitarist in the zambras of Sacromonte, accompanying the most outstanding artists of the time. Above all, it is worth highlighting his staunch defence of Sacromonte as a cultural and artistic neighbourhood, which he always valued, continually denouncing the neglect to which it was subjected by the institutions (his episodes of protest against politicians are well-known). He always publicly expressed his support for the rights of gypsies, which led him to found and promote the gypsy associations “camelamos naquerar”, “Sacromonte histórico” or “unión romaní”." - https://cuevaventaelgallo.es/historia/ "The VENTA El GALLO flamenco restaurant is here to offer you a flamenco show full of feeling, purity, and color and, if your clients so wish, to taste our traditional “Granadina” cuisine. Where we will delight in the authentic “ZAMBRA GITANA” dances in our comfortable caves. It has been the scene of the most important historical flamenco events in our city, and illustrious artists have passed through “CASA JUANILLO”, including Camarón, Paco De Lucía, Remedios Amaya, Enrique Morente, members of The Rolling Stone, where they improvised concerts during endless evenings. We will be doing what we are most passionate about: working to offer you the best memories of Granada." - https://cuevaventaelgallo.es/espectaculos-flamencos/

Inside Samba Museum - Rio de Janeiro - Brazil - Walking Tour

#samba #riodejaneiro #brazilianmusic 00:00:00 Entrance 00:01:25 Exhibition: To the Heroes of Freedom ( Aos Heróis da Liberdade ) 00:04:52 Exhibition: The Feminine Power of Samba ( A Força Feminina do Samba ) 00:06:30 Exhibition: Cartola "This is the territory of Samba The Samba Museum was born and is located in the most poetic and traditional stronghold of Rio samba, the Mangueira neighborhood, in the North Zone of Rio de Janeiro. The site offers a rich and varied cultural and educational program, with permanent and seasonal exhibitions, musical, gastronomic and multimedia events. It also has a Samba Documentation and Research Center and the largest heritage and audiovisual collection of its kind. It is a place of memory, preservation and representation of Afro-Brazilian culture and its work led to the title of samba as Cultural Heritage of Brazil. With a unique collection, the Museum currently has more than 45 thousand items. Our heritage education center is considered a reference. We carry out several actions that disseminate and promote the appreciation of samba, the main identity reference of the Brazilian people. The Samba Museum was founded in 2001 as the Cartola Cultural Center by the grandchildren of Cartola and Dona Zica, leaders of the community where the institution is based, in the city of Rio de Janeiro, RJ. Since 2007, it has been responsible for safeguarding the Rio de Janeiro Samba Matrices, registered as intangible heritage by IPHAN. Recognized as a Reference Center for Documentation and Research on samba, the site seeks to promote the appreciation and dissemination of samba, and the human and social development of individuals in socially vulnerable situations through cultural activities, research, exhibitions, workshops, courses, heritage education, and collection generation. It is located at the foot of the Mangueira Favela, a place that, despite being a world reference for being one of the birthplaces of samba, lacks public state policies, especially for children and young people – the institution's art and education program is recognized and awarded." - https://www.museudosamba.org.br/sobre-o-museu "The Samba Museum was declared an Intangible Cultural and Historical Heritage Site of the State of Rio de Janeiro. Located in the northern part of Rio, the museum was founded in 2001 and houses the largest collection of its kind in Brazil, with over 45,000 items. The institution also offers a rich and varied cultural and educational program, with permanent and seasonal exhibitions, musical, gastronomic and multimedia events." - https://agenciabrasil.ebc.com.br/geral/noticia/2024-05/museu-do-samba-e-declarado-patrimonio-historico-e-cultural-do-rj "Ever dreamed of parading down Marquês de Sapucaí? At Museu do Samba, you can don one of the glamorous costumes, join dance and percussion workshops, all part of the four-hour Samba Experience package, priced according to group size. Finish off with a traditional feijoada (R$70). The museum’s extensive collection of over 45,000 items powers exhibitions that delve into the genre that defines Rio." - https://www.timeout.com/rio-de-janeiro/museums/museu-do-samba

Inside Margravial Opera House Bayreuth with Backstage Access - Unesco World Heritage - Germany

"A masterpiece of Baroque theatre architecture, built between 1745 and 1750, the Opera House is the only entirely preserved example of its type where an audience of 500 can experience Baroque court opera culture and acoustics authentically, as its auditorium retains its original materials, i.e. wood and canvas. Commissioned by Margravine Wilhelmine, wife of Frederick, Margrave of Brandenburg–Bayreuth, it was designed by the renowned theatre architect Giuseppe Galli Bibiena. As a court opera house in a public space, it foreshadowed the large public theatres of the 19th century. The highly decorated theatre’s tiered loge structure of wood with illusionistic painted canvas represents the ephemeral ceremonial architectural tradition that was employed in pageants and celebrations for princely self-representation. Outstanding Universal Value Brief synthesis The 18th century Margravial Opera House in Bayreuth is a masterwork of Baroque theatre architecture, commissioned by Margravine Wilhelmine of Brandenburg as a venue for opera seria over which the princely couple ceremonially presided. The bell-shaped auditorium of tiered loges built of wood and lined with decoratively painted canvas was designed by the then leading European theatre architect Giuseppe Galli Bibiena. The sandstone façade designed by court architect Joseph Saint Pierre provides a focal point within the urban public space that was particularly planned for the building. As an independent court opera house rather than part of a palace complex, it marks a key point in opera house design, foreshadowing the large public theatres of the 19th century. Today it survives as the only entirely preserved example of court opera house architecture where Baroque court opera culture and acoustics can be authentically experienced. The attributes carrying Outstanding Universal Value are its location in the original 18th century public urban space; the 18th century Baroque façade; the original 18th century roof structure spanning 25 metres; the internal layout and design of the ceremonial foyer, tiered loge theatre and stage area including all existing original materials and decoration. Criterion (i): The Margravial Opera House is a masterwork of Baroque court theatre architecture by Giuseppe Galli Bibiena in terms of its tiered loge form and acoustic, decorative and iconological properties. Criterion (iv): The Margravial Opera House is an outstanding example of a Baroque court theatre. It marks a specific point in the development of opera houses, being a court opera house located not within a palace but as an urban element in the public space, foreshadowing the great public opera houses of the 19th century. Integrity The elements necessary to express outstanding universal value are included within the property as one sole building and are intact and in good condition. No adverse effects are expected to occur and an overall conservation and restoration plan has been approved by the State Party. Authenticity Most of the building and the decorative programme of the loge theatre remain unchanged. Adaptations were due to regulations for fire safety in public buildings and requirements in line with the contemporary use of theatres. The highly unified Baroque work can still be appreciated. The survival of the interior materials of wood and canvas enable the opera house’s original acoustic quality to still be appreciated, and testifies to the authenticity of the property as an 18th century opera house. Protection and management requirements The property is protected at State level by the Bavarian Law for the Protection and Preservation of Monuments (1973, 2007). It is also protected by inclusion on the List of Monuments of Bayreuth under the Bayreuth City Civic Statutes and Ordinances. The buffer zone has been agreed and established with local authorities and its historic buildings are included in the Bayreuth Monuments List. The Management authority is the Bavarian Palaces Department. Implementation of the Management Plan is guaranteed by a steering group including the Bavarian Palaces Department; the City of Bayreuth; the Upper Franconia regional government; the Bavarian State Ministry for Science, Research and Arts; the Bavarian State Office for the Preservation of Monuments and Historic Buildings, and ICOMOS Germany. As a result of research, experience and consultations the impact of visitors and events has been regulated by the Bavarian Department of Palaces. Effective measures have been established to control the number of visitors and frequency of events which will be exclusively limited to the summer period after the restoration program is concluded. " - https://whc.unesco.org/en/list/1379/ --- 📍 Location: https://guitars4rl-map.blogspot.com/ 🔗 LinkedIn: https://www.linkedin.com/company/the-sound-travels/ Enjoyed the video? Like, comment & subscribe for more on music, sound, and tech. 🔔 #TheSoundTravels #opera #concerthall #operahouse #unesco

Rock That Resume – A Career Roadmap for Audio Professionals | Book Presentation

In this video, the author Didac Jorda introduces Rock That Resume — a specialized career guide created for audio professionals who want to bridge the gap between technical mastery and career growth. After 520 hours of writing and years in the audio industry, this book offers concrete strategies to help sound engineers, DSP specialists, and audio designers stand out in a recruiter’s world. 📘 What’s inside: - Resume strategies tailored for the audio industry - Real examples of effective resume formats - Keyword and ATS optimization tips - Guidance for AI-assisted job applications - Free digital edition available 🎧 Download your free copy: https://rollingsound.org/rock-that-resume-by-didac-jorda/ Didac Jorda: https://www.linkedin.com/in/didacjorda/ Hi, I’m Didac, a Full-Stack Engineer and product manager with a passion for audio and technology. I’ve been involved in every stage of product development, from initial concept and R&D to testing and launch. My background includes working on acoustic system design, DSP configurations, and coordinating training and support across different regions. Now, I focus on building clean, scalable software with Python, C#, and C++, all while keeping a close eye on the product and user needs. I enjoy combining the technical and product sides to create digital solutions that really work and make an impact. If you’re interested in audio tech or software development, feel free to join me as I share projects and insights from both worlds. Thanks for stopping by! How to write the perfect resume and stand out within the audio and music industry to land interviews. - https://rollingsound.org/rock-that-resume-by-didac-jorda/ --- 📍 Location: https://guitars4rl-map.blogspot.com/ 🔗 LinkedIn: https://www.linkedin.com/company/the-sound-travels/ Enjoyed the video? Like, comment & subscribe for more on music, sound, and tech. 🔔 #TheSoundTravels #ResumeTips #CareerAdvice #JobSearch #ResumeWriting #CareerGrowth #JobInterviewTips #ProfessionalDevelopment #CareerSuccess #DreamJob #MusicIndustry #AudioEngineer #AudioProduction #MusicProduction #SoundDesign #MusicCareers #CreativeCareers #FreelanceAudio #MusicTech

Mojo Blues Bar, Copenhagen, Denmark - JON RONIGER & THE GOOD FOR NOTHIN‘ BAND (New Orleans)

#blues #copenhagen #livemusic Mojo Blues Bar, Copenhagen, Denmark - JON RONIGER & THE GOOD FOR NOTHIN‘ BAND (USA, New Orleans) - Live at Mojo Blues Bar 25.06.2023 00:00:00 Mojo Blues Bar - Outside 00:00:26 Jon Roniger Message - Concert at Freundlich+kompetent Bar, Hamburg, 27.06.2023 00:00:46 The Entrance - Mojo Blues Bar 00:00:59 The Place - Mojo Blues Bar 00:02:12 First Set - JON RONIGER & THE GOOD FOR NOTHIN‘ BAND (USA, New Orleans) 00:10:05 Bass Solo - Bob Kling 00:10:45 - Keyboard Solo - Jake Gold 00:11:52 Guitar Solo - Jon Roniger 00:12:24 Drums Solo - Brendan Bull 00:14:45 Thinkin' 'Bout You - JON RONIGER & THE GOOD FOR NOTHIN‘ BAND (USA, New Orleans) 00:19:02 Break - Mojo Blues Bar Outside 00:19:26 The Interior - Mojo Blues Bar 00:20:04 Merchandise - JON RONIGER & THE GOOD FOR NOTHIN‘ BAND (USA, New Orleans) 00:20:31 Second Set - JON RONIGER & THE GOOD FOR NOTHIN‘ BAND (USA, New Orleans) 00:21:39 The Bar - Mojo Blues Bar 00:22:19 Guitar Solo - Jon Roniger 00:23:29 Condom Machine - Downstairs - Mojo Blues Bar 00:23:58 DNA - JON RONIGER & THE GOOD FOR NOTHIN‘ BAND (USA, New Orleans) 00:27:53 - Keyboard Solo - Jake Gold 00:32:29 Jon Roniger introducing the GOOD FOR NOTHIN‘ BAND 00:34:10 Break 00:24:32 Third Set - JON RONIGER & THE GOOD FOR NOTHIN‘ BAND (USA, New Orleans) 00:35:29 Drums Solo - Brendan Bull 00:36:57 Leaving the bar "Mojo Blues Bar is probably one of few places in Europe where you can hear live blues and related genres every single night of the week. The name 'Mojo' comes from the lyrics of old blues songs: "Got my mojo working", "Went down to Louisiana to get my mojo hand" and so on. A 'Mojo' is an amulet, a kind of love talisman, worn to attract a true soul mate or lover. When the band has finished playing, DJs take over, and the dance floor stays packed with a happy crowd all night long. The atmosphere is very relaxed and friendly. Aside from blues music, Mojo hosts nights with soul, rock, blues rock, rock blues, zydeco, bluegrass and related genres. See Mojo's concert calendar: http://www.mojo.dk/" - https://www.visitcopenhagen.com/copenhagen/planning/mojo-blues-bar-gdk506499 "About Jon Roniger and The Good For Nothin' Band Jon Roniger and The Good For Nothin’ Band proudly plays all original grease slicked, jazz licked, funk-blues-rock that draws wayward wanderers from the streets and pulls them to the dance floor. In the six years since the band’s inception, they boast a host of local residencies on the highly competitive New Orleans music scene. The band consists of Jon Roniger (singer/songwriter, guitar), Brendan Michael Bull (drums), Bob Kling (bass), Jake Gold (keys), Ellis Seiberling (trombone) and Raphael Zimmerman (trumpetl). For 200+ shows a year, Jon Roniger and The Good For Nothin’ Band tour nationally and internationally. Maniac World, their first LP garnered rave reviews; New Orleans based five piece The Good for Nothin’ Band practically crackle with chops on each cut. (Lydia Hillenburg, Vents Magazine), There’s something to satisfy every sensibility. This is an outfit with a boundless future. (Michael Saulman, Gashouse Radio), Their sophomore effort Second Shot released in April of 2018 and singles My World, Hello Beautiful and Do What Makes You Happy released in 2019/2020 garnered the band appearances at Vinter Fest in Copenhagen, The New Orleans Jazz and Heritage Festival, The French Quarter Festival, Copenhagen Jazz Festival, Ingolstadt Blues Fest and Festival REM in France. The band released Let’s Get Lost in March of 2021 and Live at 6010 in August 2021. Rave reviews came in again with the two new releases; a band that is at the top of its game (Dave Franklin, Dancing About Architecture), 'those who appreciate new music, will definitely want to hear this album* (Woke Chimp). Genres: Funk, Rock, Blues" - https://goout.net/en/jon-roniger-and-the-good-for-nothin-band/pznljlg/ "Everything about this unit is steeped in the history and environs of the Crescent City with a roar of tradition, conviction, and an unquenchable thirst for new wine in old bottles. There’s something to satisfy every sensibility. This is an outfit with a boundless future.” — Michael Saulman, Gashouse Radio (Oct 14, 2016) "There’s an original voice at work here, sly and sophisticated without being too self-conscious. If you want a date-night cocktail of real NOLA flavors, fizzy and giddy enough to seduce whomever you’re giving the side eye to, spin them around to this. It deftly sidesteps the hard sell.” — Robert Fontenot, Offbeat Magazine "Jon Roniger and The Good For Nothin' Band's "Maniac World" strikes notes of the familiar, but overall, it’s quite unlike anything you’ll hear. It's an impressive debut that sets the band up nicely for the future and establishes a very flexible musical template that shows no limits about where they can take it.”— Skope, Skope Mag (Oct 18, 2016)" - http://www.thegoodfornothinband.com/

The Czech Museum of Music, Prague - Czech Republic - Walking Tour

#prague #czech #music "The Czech Museum of Music collects music-related materials in the collections of the National Museum. In its collections, it holds over 700,000 documents of musical history – an extensive music archive, a phonoteque, a collection of musical instruments, or the estate or collection of the Bedřich Smetana Museum and the Antonín Dvořák Museum." - https://www.nm.cz/en/czech-museum-of-music#collections "The new seat of the Czech Museum of Music is located in the former Baroque church of St. Mary Magdalene at Lesser Side, built in the 17th Century according to the proposal of Francesco Caratti. The church was gradually rebuilt after the dissolution of the Dominican Monastery in 1783. Among other things, it served as a Police barracks and archive. The unusual symbiosis of the early Baroque church architecture with the classicist adjustment of usage and newly finished reconstruction of the Museum offers visitors a detail of an impressive combination of monumentality." - https://www.nm.cz/en/visit-us/buildings/czech-museum-of-music "The former Baroque Church of Mary Magdalene in the Lesser Town became the home of the Czech Museum of Music. Anyone who enters the hall is struck by the enormity of the main hall and the special magic that the transformations of time left. Over 400 historical musical instruments of extraordinary value are on display." - https://prague.eu/en/objevujte/national-museum-czech-museum-of-music-ceske-muzeum-hudby/ --- 📍 Location: https://guitars4rl-map.blogspot.com/ 🔗 LinkedIn: https://www.linkedin.com/company/the-sound-travels/ Enjoyed the video? Like, comment & subscribe for more on music, sound, and tech. 🔔 #TheSoundTravels

Inside the Royal Danish Opera, Copenhagen Opera House with Backstage Access

#opera #copenhagen #denmark Inside the Det Kongelige Teater - Operaen, Royal Danish Opera, Copenhagen Opera House with Backstage Access 00:00:00 Getting to the Opera House 00:01:03 Exterior - Opera House Building 00:03:13 The Entrance - Det Kongelige Teater 00:03:19 The Cafe 00:04:31 Croissant + Glass of Rosé - 110 DKK ( €14.78, 24.96.2023) 00:04:55 WC- Det Kongelige Teater 00:05:27 Second Floor 00:05:45 Chandeliers 00:07:08 The Auditorium 00:08:18 Inside the Opera Building 00:08:33 The Wall of Sounds 00:08:55 Black Box Theater 00:09:29 Backstage 00:14:56 The Exterior "The Royal Danish Opera is a home for the unmatched live experience of opera and symphonic music. We welcome artists and ideas from all over the world and export art made in Denmark to the world." - https://kglteater.dk/en/about-us/arts/the-royal-danish-opera "The Copenhagen Opera House is a donation from the A.P. Møller and Chastine McKinney Møller Foundation to the Danish people. It totals 41,000 square meters. Five of the fourteen stories are subterranean. The main stage of the opera seats an audience of 1400. The Opera House is clad with southern German Jura Gelb limestone, and the foyer features Sicilian Perlatino marble. The wall of the auditorium facing the foyer is clad with maple wood, and the ceiling in the main auditorium is adorned with 105,000 sheets of 24-carat gold leaf, equivalent to 1.5 kilos of gold. The Copenhagen Opera House is designed by Danish architect Henning Larsen, and several Danish artists have contributed to the decor, among them Per Kirkeby who has created four bronze reliefs, and Danish-Icelandic artist Olafur Eliasson who has contributed the three light sculptures for the foyer." - https://www.visitcopenhagen.com/copenhagen/planning/royal-danish-opera-house-gdk422032 "The Opera is located on the Dock Island in the harbour of Copenhagen - in the middle of the inner harbour that lets the audience perceive the fabulous view of the Copenhagen skyline. The Opera features two architectonic elements under an extensive roof: A light foyer building comprising an audience auditorium and a heavier back building with the studio stage (seating 200), various rehearsal rooms for choir, orchestra, soloists and ballet as well as the 81 dressing rooms, workshops and administration. The building itself has an outside surface of Jura Gelb limestone. Canals have been dug to make the Opera look as if it were placed on an island just a bit larger than the building itself. The front of the opera was originally meant to have a large glass surface. However, as glass does not age well, the front was changed to have a metal grid in front of it. The foyer floor is Sicilian Perlatino marble. The wall of the auditorium towards the foyer, and the wood of the balconies, is maple wood. The ceiling inside the auditorium is made using 105,000 sheets of gold leafs, almost 24 carat (100%)." - https://architectuul.com/architecture/the-copenhagen-opera-house

The Troubadour, London: Historic Music Venue (Hendrix, Dylan) + Live Concert Ese & The Voodou People

#london #troubadour #livemusic 00:00:00 Old Brompton Rd, London SW5 00:01:03 The Troubadour 00:02:19 Mimosa - £10 (€11.66, 15.07.2023) - Classic Cocktails 2 for £16 00:02:27 Troubadour English Breakfast:2 poached or scramled eggs, smoked streaky bacon, cumberland sausage, homemade baked beans, fried chestnut mushrooms, hashbrown, toasted sourdough bread - £12.75 (€14.87, 14.07.2023) 00:03:35 The Dylan Room 00:03:50 The Garden 00:04:18 WC (upstairs) 00:06:16 Ese & The Vooduu People: THE RITUAL + Sofreeya Soul + Special guest + DJ - Fri Jul 14, 2023 - Sat Jul 15, 2023 8:00 PM (Doors @ 7:30 PM) £ 11 (€ 12.83, 14.07.2023) 00:08:08 Sofreeya Soul live 00:09:07 Pint of Lost Lager 4.7% (pilsner syle) £ 6.5 (€7.58) 00:13:11 Reverend Be Atwell (Alabama 3) Poem 00:14:32 Ese & The Vooduu People soundcheck 00:16:44 WC (downstairs) 00:18:24 Ese & The Vooduu People live at the Troubadour ""The Troubadour was founded in 1954 by Michael and Sheila van Bloemen; making it one of London's oldest independent music venues. Originally opening its doors as a coffee house: intended as a cultural meeting place for artists and mavericks alike, the Troubadour quickly became accredited as a West London institution; beckoning artists, poets, writers, musicians and advocates from all over the world, and was a cornerstone venue in the British folk revival. After an inspired visit to the Troubadour in it's early years, a young Doug Weston would ret n to West Hollywood from his trip to England and open his own Troubadour in 1957 - which would see its own role of importance in the Laurel Canyon scene and subsequently the American pop-culture of the 60's and 70's. Like us, the Troubadour West Hollywood would go on to influence the rest of the world. It played a formidable role in the launching of the careers of: Jackson Brown, Neil Diamond, Elton John, the Eagles, the Byrds, Carole King, James Taylor, Linda Ronstadt and Tom Waits. ... In the rising sun of a new decade: the 1960's brought about great change in the London political and social scene. And as Chelsea's King's Road was leading in pop-culture and the Mod movement, British Jazz was also rising in popularity once again, and the Troubadour became a regular gig and hangout for London's finest Jazz musicians; most notable of players being Charlie Watts of the Rolling Stones, who played in 1961 - where he was "found" by Alexis Andrew Nicholas Koerner and was quickly recruited to join Blues Incorporated. Along with Mr. Watts, other greats of the British Jazz scene such as: Lionel Grigson, Michael "Spike" Wells, Mick Pyne, Dave Gelly MBE, Daryl Runswick and David "Happy" Williams all took the stage throughout the 1960's. ... In December of 1962, a young Bob Dylan made his maiden trip to London after being invited by Philip Saville to appear in Madhouse on Castle Street, a drama Saville was directing for the BBC. Before departing for London, Dylan's mentor, Pete Seeger gave him the instruction to seek out Anthea Joseph who organised many of the folk events at the club and was often credited as "the Manager" of the venue. The Troubadour was the first venue Bob Dylan ever performed in while in the United Kingdom and he did so under the pseudonym Blind Boy Grunt. Here he would meet fellow folk legend, Martin Carthy who taught him the traditional English ballad, Scarborough Fair. Dylan would later go on to write his own song Girl from the North Country inspired by the English balladeer's rendition of the folk classic. Jimi Hendrix would perform at the Troubadour in the late sixties, after having moving to London to find popular success after he signed to ex-Animals bassist-turned-manager, Chase Chandler. Hendrix was introduced to Chandler in New York by Linda Keith - who was dating Keith Richards at the time - and together convinced Hendrix to move to England. The 1970's would see the decline of the British Blues Invasion and the psychedelic sixties sound: enter the birth of the blues powered hard rock and heavy metal. One of the most famous bands to come out of this era was Led Zeppelin who, after sell-out shows at the Earls Court Exhibition Centre, would come back to the Troubadour and jam late into the evening and early morning. And in more recent years, keeping with tradition, the Troubadour has had the privilege of seeing new, fresh faces, such as Adele, Ed Sheeran, Morrissey and Paolo Nutini come through on their way to topping the worldwide pop charts. The Troubadour proudly still hosts live music seven days a week." - https://www.troubadourlondon.com/history ""A really cool rock band" - Iggy Pop. Ese Okorodudu is founder and leader of the extended musical family that is Ese & The Vooduu People. Singer-songwriter Ese (vocals, guitar) is backed by a pool of some of the UK's best musicians. She's inspired by an eclectic selection of legends from Jimi Hendrix, Sly & The Family Stone and Led Zep to Dr. John, Prince and Skunk Anansie." - https://esethevooduupeople.bandcamp.com/

Seebühne, Bregenz, Austria 🇦🇹, Dismantling of the Stage

"Dismantling of the stage set of the Bregenz Festival will last until the end of October

The first step will be to dismantle the approximately 300 loudspeakers used in the "Freischütz" stage set. In addition, all spotlights must be removed and cables removed, explained Wolfgang Urstadt, Technical Director of the Bregenz Festival. Everything that can be reused will be secured. Costumes and props are usually sold off. Then, the chainsaw and grinder will be used.

Up to 60 employees are involved in the demolition of the stage set, which cost a total of around eight million euros, and is scheduled for completion by the end of October. Construction of the new stage set for 2026 and 2027 will then begin in the festival's assembly hall." SWR - https://lnkd.in/dpfXqxvu.

"Technical equipment is being dismantled

Around 60 people are involved in the dismantling process. 66 loudspeakers alone were installed as part of the stage set, along with kilometers of cabling and large, hydraulically operated elements. To make way for the next opera production, all of this equipment must be professionally dismantled and stored.

"Because, of course, it's always different," explains Matthias Zuggal, the deputy head of the lighting department. "Every production has a different lighting design, a different concept. Different types of spotlights are used, and they are positioned differently. The requirements for the stage designers are also completely different, since the stage set looks different each time. So, it's designed anew every time and requires different equipment. That's why we can't just leave it all in place."

...
"It's always a complex undertaking"
Construction of a new, spectacular set is scheduled to begin as early as the end of October. "It's always a complex undertaking, and La Traviata will be no exception," reveals Urstadt. "It will look completely different. The overall impression will be something entirely different from what people have seen here during the last two years with 'Der Freischütz.'"" - ORF - https://lnkd.in/dhQqga7f

hashtag#architecture hashtag#sounddesign hashtag#audio hashtag#proaudio hashtag#audioengineering hashtag#loudspeakers hashtag#acoustics hashtag#bregenz hashtag#austria hashtag#concert